I brought up this mic on my Schecter Blacjack, replacing a best seller, the Seymour Duncan SH-4 The Job.

The 498T is very well equilibrated (no bass that drool, no slamming too acute, uncontrollable no harmonics), hot in the mdiums, plutt round in the bass prcis , average output level. Small cot in his vintage clear.

According to Gibson, "perfect for hard rock applications and Easily overdrive." My faith in the large distortion I play rock / metal and passes impeccable '.

It was THE classic micro brand found on most Gibson LP or SG.

It is relatively expensive, but for my part I could find it for 90 euros all included on ebay USD.
Comes with a nice clear plastic bote brand that will serve mdiators box!

FYI when he is bought sparment a Gibson SG or Lespaul in pice dtach so he possde 4 son, to the splitter.
Once you pass in single coil it sounds terribly well on its crunch / overdrive, funky gogo (a Fender Aboard), no report in clean, distortion is large in the Bordeaux mixture ...

Agreement in drop C # I play with the microphone on a head H & K candles.