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mikaka75 « It hurts a lot! »
Published on 03/29/14 at 20:15I recently on my PRS CE22. The concern of this kind of guitar is that even if the sound is very good, they lack a bit of personality. I was looking for a microphone with nia and character in the heavy rock genre.
Well I was not disappointed.
His areas of interest: rock (any kind) / fusion.
Metal, I think there is better but it does not sound ridiculous so far, far away, even though I see it more in the prog in hardcore.
In fact, we have here a microphone that sends puree (very good level of output) but with some restraint, allowing the game to qualify blithely
Very responsive to attack so; sculpt his sound with a pick is a real pleasure.
Harmonic whistling across the palm mute and keep a very good momentum.
Another plus: it pierces into the mix-hand speaker.
Given the gear Doug Aldrich, I would tend to think that micro was supposed to go to Les Paul, to moderate their side "rock wholesale pork task" and breathe a little more modern side.
Where my criticism has its limitations, is that you can not judge a microphone independently of violin guitar.
My PRS her body and full mahogany table. Its handle and button are flamed maple.
-> By the large presence of mahogany and thicker than a strat size, it is a lot closer to the Les Paul as the standard violin Ibanez.
Now, how will react on the Suhr DA basswood or alder?
Will he lose bass, resonance and become loud in the upper mid-range?
No idea!
All I can say is that the seller of guitar in rebellion advised more model Suhr SSH + home (more modern) as DA on these woods.
In my case, it works wonder.
Regarding humbucker I had / tried the Dimarzio (tone zone, custom wound parker fly), the seymour duncan (SHPR-2B SH5), Bare Knuckle (Holydiver: nice but too cold for my taste) and of Suhr (SSH +, SSV).
Prices in micro guitar rebellion -> 100 E. A price more than adequate for the result.
I am more than satisfied with this microphone. In style and taste that are mine (rock, funk, hard, fusion), it will impecc me.
But I fouterai not a 10/10 because perfection does not exist!
Well I was not disappointed.
His areas of interest: rock (any kind) / fusion.
Metal, I think there is better but it does not sound ridiculous so far, far away, even though I see it more in the prog in hardcore.
In fact, we have here a microphone that sends puree (very good level of output) but with some restraint, allowing the game to qualify blithely
Very responsive to attack so; sculpt his sound with a pick is a real pleasure.
Harmonic whistling across the palm mute and keep a very good momentum.
Another plus: it pierces into the mix-hand speaker.
Given the gear Doug Aldrich, I would tend to think that micro was supposed to go to Les Paul, to moderate their side "rock wholesale pork task" and breathe a little more modern side.
Where my criticism has its limitations, is that you can not judge a microphone independently of violin guitar.
My PRS her body and full mahogany table. Its handle and button are flamed maple.
-> By the large presence of mahogany and thicker than a strat size, it is a lot closer to the Les Paul as the standard violin Ibanez.
Now, how will react on the Suhr DA basswood or alder?
Will he lose bass, resonance and become loud in the upper mid-range?
No idea!
All I can say is that the seller of guitar in rebellion advised more model Suhr SSH + home (more modern) as DA on these woods.
In my case, it works wonder.
Regarding humbucker I had / tried the Dimarzio (tone zone, custom wound parker fly), the seymour duncan (SHPR-2B SH5), Bare Knuckle (Holydiver: nice but too cold for my taste) and of Suhr (SSH +, SSV).
Prices in micro guitar rebellion -> 100 E. A price more than adequate for the result.
I am more than satisfied with this microphone. In style and taste that are mine (rock, funk, hard, fusion), it will impecc me.
But I fouterai not a 10/10 because perfection does not exist!