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Menestrel de malheur
Published on 09/23/09 at 18:25
Object strange and surprising that becomes rare these days, Shs 10 of yamaha is a UFO on all points.
It looks like a toy but a machine that can fly at noon.
FM synthesis, at all good for the fans, the sound of electro glacial epoch.
Speaking of the time, mine was 1974 made in Japan, and it presents some paint missing on two corners of the hull, no deep scratches.
it is virtually indestructible, I've never had a problem with this gear.
it's a 32 notes keyboard without velocity that is worn like a guitar, not very practical forthe stage because of the size of the keys, but it can help.
Personally I use it sometimes for the internal sounds, but most of the time I m serves as a controller of my synths and machines.)
it has a MIDI output jack and a 6.35! and more solid, but happiness!
it also has integrated speakers and can operate with batteries, two functions that multiply uses. (studio itinerant mountebank, minstrel, street performance, holidays ect ...)
It is an instrument collection now, mine will never leave me, but know he is in high demand and that its current price is already well above its price at the time of its release.
UTILIZATION
Very easy to use, I never needed the manual, everything is written on the front.
OVERALL OPINION
voila a machine that pleases everyone, by his side old school / strange / retro futuristic, 10 shs prove very useful for playing midi on stage as master keyboard in the studio, or as a collection object that you emerge from beyond the grave sounds for your compositions electro / techno / industrial / circuit bending / experimental or even to play bass in a band, for example, happiness in a plastic box!! you can still find opportunity for now for about 200/300 euros but in 5 or 10 years will become the object not found so if you have one in the attic, take care of it and if you see one in a flea market or a market, you throw it!!
It looks like a toy but a machine that can fly at noon.
FM synthesis, at all good for the fans, the sound of electro glacial epoch.
Speaking of the time, mine was 1974 made in Japan, and it presents some paint missing on two corners of the hull, no deep scratches.
it is virtually indestructible, I've never had a problem with this gear.
it's a 32 notes keyboard without velocity that is worn like a guitar, not very practical forthe stage because of the size of the keys, but it can help.
Personally I use it sometimes for the internal sounds, but most of the time I m serves as a controller of my synths and machines.)
it has a MIDI output jack and a 6.35! and more solid, but happiness!
it also has integrated speakers and can operate with batteries, two functions that multiply uses. (studio itinerant mountebank, minstrel, street performance, holidays ect ...)
It is an instrument collection now, mine will never leave me, but know he is in high demand and that its current price is already well above its price at the time of its release.
UTILIZATION
Very easy to use, I never needed the manual, everything is written on the front.
OVERALL OPINION
voila a machine that pleases everyone, by his side old school / strange / retro futuristic, 10 shs prove very useful for playing midi on stage as master keyboard in the studio, or as a collection object that you emerge from beyond the grave sounds for your compositions electro / techno / industrial / circuit bending / experimental or even to play bass in a band, for example, happiness in a plastic box!! you can still find opportunity for now for about 200/300 euros but in 5 or 10 years will become the object not found so if you have one in the attic, take care of it and if you see one in a flea market or a market, you throw it!!