I am the happy owner of a 2000 T-Bone SCT last few months that I use mainly for guitar and voice. It is a micro nice but it seems to me that the technicians who STRID Describes highest performance have not done everything wrong. I think it is when even a bit limited for esprer to sound professional.
Personally I find it quite normal that a good acoustic instrument can be trs expensive and therefore the sensor for the capture the smallest nuances is also not shock me too much, especially when we know that the cot quality components are not declining, and that if one goes lectronicien a lot of time designing and couraging a microphone is a bit normal that it all reaches a cot and m me a cot certain.
I confess to be the proud Owner 'of an acoustic guitar luthier (Philippe Monneret, Mirecourt, trs the far bottom right down the hall, Vosges), jazz guitar cutaway and micro Benedetti with an acoustic sound not claim trs powerful (no rose) but trs well balanced and especially with a big personality that I gote, although sr normment (I ' had not bought it otherwise).
And of course the object is difficult to capture undermine Fidler and T-Bone is my feel a little lightweight to do so. BUT, looking for good instead of the microphone, with a prampli spl gain station 1 to rump and recorded on a Roland 1680 for your exact is made audible and honnte. So a report qualitprix trs Hon.

OVERALL OPINION

I had tried that before and SM57 and, curiously, an AKG C451E overhead, which did not so bad rsultats. But part of what I do, T-Bone seems much more convincing.
For the price I would do the choice, but if my banquire asked me to marry him, I viserais srement onreux much more. As my banquire is a banker and shall decide that I do not change their habits, I think I'll keep the little Chinese for a while, which I think is an excellent learning tool