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Megomort
Published on 03/10/09 at 03:17
Value For Money :
Excellent
Studio condenser microphone is a lamp in T. Bone SCT = Studio Condenser Tube
OVERALL OPINION
I use it for two weeks, it comes in mtalique briefcase with Power + cable, cable 5-pin XLR SPECIFICATIONS (10 meters), the spider suspension and microphone. The unit is robust trs, the microphone is a good size and trs heavy. At first it was worth the money. Then come the tests and trials, the beginners I used the following config Presonus Firestudio Project and Cubase, no micro amp. Your exact own no more, I have almost everything back because at Thomann TRS little diffrence with my old SC400 j'tais trsdu 50 Euros. Then I tried it on my old config, Art Tube MP Amp, religious table yam, Emu 0404 sound card and sonar squenseur. And it is not the same thing with an amplification (lamp + table) returns the microphone in dtails voice, it just remains neutral by providing heat lamps, and no not to drool a bit contrary to what some say is trs own. This is a microphone made in China, so the problem remains a quality trs unstable, it is probably the cause of dissatisfaction, they fall into bad duent MODELS. Mine is good at low rev, correct the mids and highs, it does not dnature. Strength, without saturating it cash, I also like his cot asse directional finally, that the chopper quickly frquences lies environmental control. I adopt it, but watch this micro really need to be supported by one or amplifications to rveler. But to compare a del Neumann, EXAGRES should not either. I think it can compete with micro light or no less than 300 euros and it is not so bad dj. Remains if the quality holds up over 5 years, will be perfect.
I tried other pickups: Rodhe NT1 (bof) Eagletone CM90 (bof), SCT in 2000 (very good but more expensive) AKG C3000B (without proper) 2200 SE (trs bof) , APEX 460 (I almost buy that, I just have a bit of remorse), Neumann TLM 103 (good but expensive)
Less than 150 Euros all is carrment excellent.
OVERALL OPINION
I use it for two weeks, it comes in mtalique briefcase with Power + cable, cable 5-pin XLR SPECIFICATIONS (10 meters), the spider suspension and microphone. The unit is robust trs, the microphone is a good size and trs heavy. At first it was worth the money. Then come the tests and trials, the beginners I used the following config Presonus Firestudio Project and Cubase, no micro amp. Your exact own no more, I have almost everything back because at Thomann TRS little diffrence with my old SC400 j'tais trsdu 50 Euros. Then I tried it on my old config, Art Tube MP Amp, religious table yam, Emu 0404 sound card and sonar squenseur. And it is not the same thing with an amplification (lamp + table) returns the microphone in dtails voice, it just remains neutral by providing heat lamps, and no not to drool a bit contrary to what some say is trs own. This is a microphone made in China, so the problem remains a quality trs unstable, it is probably the cause of dissatisfaction, they fall into bad duent MODELS. Mine is good at low rev, correct the mids and highs, it does not dnature. Strength, without saturating it cash, I also like his cot asse directional finally, that the chopper quickly frquences lies environmental control. I adopt it, but watch this micro really need to be supported by one or amplifications to rveler. But to compare a del Neumann, EXAGRES should not either. I think it can compete with micro light or no less than 300 euros and it is not so bad dj. Remains if the quality holds up over 5 years, will be perfect.
I tried other pickups: Rodhe NT1 (bof) Eagletone CM90 (bof), SCT in 2000 (very good but more expensive) AKG C3000B (without proper) 2200 SE (trs bof) , APEX 460 (I almost buy that, I just have a bit of remorse), Neumann TLM 103 (good but expensive)
Less than 150 Euros all is carrment excellent.