Guitar made in Korea (from which I now know the quality and srieux).
Being a Les Paul guitar shape, it includes all CHARACTERISTICS:
2 doubles
2 volumes
2 Tone
slecteur 3 positions
al round of 22 boxes
easel-like tune-o-matic
The body is mahogany and the table Saddle flame.
The handle on it, is Saddle with a rosewood fingerboard, and abalone taken to imitating the form of "blocks exploded," like the ones you can see on the Les Paul Supreme.
The acastillage is dor.
White made a net around the perimeter of the body and all round.
The trademark logo is on the head of the handle in imitation abalone fret.
The mcaniques own dnomination Aria in the VGT-1

Particularity of this Aria: The handle without heel (heel-less) which I will later.

The PE-SPL is not currently produced by Aria.
you can find the first model used "Aria Pro II" of the PE-SPL, then The models distributed under the following name "Aria", which is why you can see this with MODEL the two terms on the head of the handle.

This guitar is a divine pleasure to the eye.

There is nothing to say, Aria has the package on the scratches and Amrit widely October 1

UTILIZATION

Getting started with the beautiful, the first observation, it is more lgre a Les Paul, which is explained by the fact that aisment the body is a little less pais.
It also includes a recess in the back, like the strata, so that we can to stall his stomach without breaking a hill.

Involved standing, it is comfortable trs.
However, in a sitting position, she has an unfortunate tendency of lean body ct.
The handle is an example of confortabilit and ergonomics! It feels good now, rather thin, fast. Frets perfectly rounded and polished, it will not slashing with your fingers is particulirement enjoyable. There is a radius a little more pronounced than on the sleeves Gibson.

And this pleasure is sblim by the famous "technology" Aria heel-less of which I mentioned above! And yes, Aria had the good ide to make what happens at the bottom of the handle, there is no thickening of it, and that the coup is not g n for Access in treble.
Achieved, will be acute in the fingers in the nose (well, it is best that they stay on the stick huh!)

Sound: first test unplug guitar is peroit all the notes and even harmonics, aa air equilibrated in both severe than in the treble.
Vrifions by connecting a

I withdraw it a point to look at the trend ct body

SOUNDS

I play in a group of cold-wave, but I like a personal venture into the blues, blues-rock, rock, and hard rock too. This guitar suits me perfectly in all styles.

I test:
- A Hughes & Kettner Tour Reverb Head with a baffle AC412 (4x12 so)
- An old Fender reverb lamps (I do not know what it was MODEL)
- A PODxt Live

I had this possd MODEL (PE-SPL) before with the original pickups that sounded Aria dj particulirement well.
MODEL In this, the microphones have been replaced by wilkinson WVCNGD WVCBGD AND GOLD PAF style
(Including the cover dor ct amplifies the visual luxury guitar)

As I approached unplug the sounds are trs balance between bass and treble.
The sounds are both close to the trs vritable Les Paul as well as slightly more crystalline in the treble. The Difference significant with the Les Paul is that it has an attack that may be more pronounced and snapping, while the Les Paul are more gentle and crmeuses attack. The bass is less pronounced than on a Gibson Les Paul, this one feels particularly harmonics.
The sustain is beautiful! It competes openly with Gibson on this point the

In the clear:
In the bridge position, attacks are soft and velvety notes are lgrement.
Intermdiaire position was sound enough when the nasal Tone buttons are the same level, and the palette is ultra-wide according to rglages. Nevertheless, we remain close to the spirit trs Les paul
In the neck position, to navigate between blues and jazz, it's round, smooth fat.
Sound is such a beauty that we tend to cut any effect that might hide the nature of the guitar, and leaving only lgre reverb.

In the crunch:
Whatever the position, we keep the same low prs CHARACTERISTICS its clear that the attacks are more frank than Les Paul, and navigates aisment blues to rock.

In the saturated:
Surprisingly, I did not expect that this guitar can send this way.
It is clear and sharp and I find myself playing riffs mtal pests with ease dconcertante. It is much more aggressive than Gibon Firebird Studio for example.
In the treble is a rgal, the solos are a DLIC play because all changes in your game are transmitted. Any vibrato, bend, gliss is understood without excs, with incredible accuracy.

To take the test for parent with Gibson Les Paul, I plug the Aria in the pod, and
I load the config 'of Mr. Slash on Sweet Child O' Mine. Verdict ... It sounds quasimment the same but with less velvety Gibson (Yeah, there are more indniable with Gibson).

I have absolutely no blame ct sound. PERFECT!

It's not a Les Paul, it has its own sound color but it comes close in the characters.

OVERALL OPINION

I use it for about five months now.
The peculiarities j'apprcie most: The look, comfort, sound! (I do not know what a guitar guitarist said live was to fill the three conditions in order "looks good, feels good, sounds good", it al these conditions runies)

The particular feature I like least: A holding agreement is not always the top in a game pushed to bend the G string. I'll have to look at this more prs.

If I tried other guitars before? I'm not Premire my guitar and there are many pass in my hands, MODELS MODELS at the low end of luxury.

The report qualitprix? Excellent!

If I would do with the exprience choice. Well, I redid the choice, since I had sold for a reason and I did financire of scrambling to find a situation when my suits!

EDIT: A few years later, I finally had the possibility to pass a Gibson Firebird Studio, Aria and a little duplication. So I shall decide to sell it and replace it with a guitar much more sharp and aggressive.