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Poilor
Published on 12/02/11 at 01:31
Gibson Les Paul Studio manufactures in the United States
Annes 90 - trs heavy trs his stable, incredible sustain.
Two humbuckers: the 498T in bridge (see opinion) and 490R in the neck pickup, both of trs good microphones.
Gibson Bridge PBBR 020; mcaniques rcupres grover on a gibson standard.
Mahogany neck with key al trs beautiful rosewood, 22 frets.
1 volume and 1 Tone by micro, slecteur 3 positions.
It lacks a microphone simple indeed to find some sounds I spend on other more versatile guitar.
The violin is SERIES but trs correct.
UTILIZATION
The handle "tree trunk" Designed specially for bcherons is a highway. In fact, the ergonomics are good trs, the frets are enjoyable. Access in sharp notches is facilitated by a profile silky.
The weight of the guitar Whereas (prvoir a wide strap), but a guarantee of sound quality. Indeed, on essaysrcemment MODELS I t surprised by the lgret the body (is it of mahogany? Have I thought for a moment and demand it was a modification bnfique ... For Paul alone: the sound dplu me.
Whereas I do so more weight as a inconvnient.
SOUNDS
Trs round neck pickup, I used for voicing for jazz clean sounds that require the grave. The bridge pickup is sharp, I have long been used for the metal and trs is good, only a DiMarzio or a Duesenberg take my mind the comparison. May be a little chtif for clean sounds you want crystal (it is a question that I go simple micro for versatility on the instrument, but this requires making a dfonce and good, c is just a sacr Gibson) ...
We can use the 490R into overdrive (or crunch) for a more stoner is convincing.
I attack many amps, sometimes in just a Joemeek between Cubase and more often a Jmp-1 - Mesa Boogie 2:50 about HP Hughes & Kettner. Whatever the legalization rcupre what you want it, the pickups are good trs.
OVERALL OPINION
I play this instrument for over ten years, but I have not abandoned my old Yamaha because it possde a floyd (I frquente certainly not assiduously). I also played on Agile 8 string as well as a fender in frne (the one with the famous Duesenberg micro, so musical).
For the price (just over 3000 francs era) I do not hsit long.
The ease of the handle (a binding Reduces tune a bit more) is a combined sensation that I do not connate elsewhere: it fits easily into the ropes (right hand more flexible, because chewing gum a little groovy and warm) and they sound until we shall adopt the no. Channel driver? It is as if c'tait useless, as it is al.
If I were stolen, I Rasht one, yes, but not new: it seems that rcents The models are less well made, the woods are in Tuve SCHS or whatever what else. No nostalgia for lower Tagus, but these old sr (not so much by the way) taient guitars assembled with more care twenty years ago.
Annes 90 - trs heavy trs his stable, incredible sustain.
Two humbuckers: the 498T in bridge (see opinion) and 490R in the neck pickup, both of trs good microphones.
Gibson Bridge PBBR 020; mcaniques rcupres grover on a gibson standard.
Mahogany neck with key al trs beautiful rosewood, 22 frets.
1 volume and 1 Tone by micro, slecteur 3 positions.
It lacks a microphone simple indeed to find some sounds I spend on other more versatile guitar.
The violin is SERIES but trs correct.
UTILIZATION
The handle "tree trunk" Designed specially for bcherons is a highway. In fact, the ergonomics are good trs, the frets are enjoyable. Access in sharp notches is facilitated by a profile silky.
The weight of the guitar Whereas (prvoir a wide strap), but a guarantee of sound quality. Indeed, on essaysrcemment MODELS I t surprised by the lgret the body (is it of mahogany? Have I thought for a moment and demand it was a modification bnfique ... For Paul alone: the sound dplu me.
Whereas I do so more weight as a inconvnient.
SOUNDS
Trs round neck pickup, I used for voicing for jazz clean sounds that require the grave. The bridge pickup is sharp, I have long been used for the metal and trs is good, only a DiMarzio or a Duesenberg take my mind the comparison. May be a little chtif for clean sounds you want crystal (it is a question that I go simple micro for versatility on the instrument, but this requires making a dfonce and good, c is just a sacr Gibson) ...
We can use the 490R into overdrive (or crunch) for a more stoner is convincing.
I attack many amps, sometimes in just a Joemeek between Cubase and more often a Jmp-1 - Mesa Boogie 2:50 about HP Hughes & Kettner. Whatever the legalization rcupre what you want it, the pickups are good trs.
OVERALL OPINION
I play this instrument for over ten years, but I have not abandoned my old Yamaha because it possde a floyd (I frquente certainly not assiduously). I also played on Agile 8 string as well as a fender in frne (the one with the famous Duesenberg micro, so musical).
For the price (just over 3000 francs era) I do not hsit long.
The ease of the handle (a binding Reduces tune a bit more) is a combined sensation that I do not connate elsewhere: it fits easily into the ropes (right hand more flexible, because chewing gum a little groovy and warm) and they sound until we shall adopt the no. Channel driver? It is as if c'tait useless, as it is al.
If I were stolen, I Rasht one, yes, but not new: it seems that rcents The models are less well made, the woods are in Tuve SCHS or whatever what else. No nostalgia for lower Tagus, but these old sr (not so much by the way) taient guitars assembled with more care twenty years ago.