Japanese guitar, round pearl inlays.
Volume and tonality in microphone, a microphone slecteur three positions.
Gibson type handle, a "cabbage" more strait.

UTILIZATION

I possde this guitar since 1983, it is still prcise and handle of a fine is an incredible ease phnomnale.
Only concern, almost 30 years APRS birth (I have not bought new), the pickups are a little "flushed" knowing that it's a sound trs 70 ds the dpart and not attack the "F1" current.
I left that repeat the coils of the PCHE microphones to locate the original.
But what a violin! And has not move.
Access in acute is perfect for a guitar shall adopt (as opposed to Fender, for example).
The right sound for me is: the micro block in acute and acute volume and microphone halfway serious highs and its always the bottom.

SOUNDS

The sound "fat" 70's. You have to love, like Slash, but if you like, it is served.
The best is the JCM800, like so many other guitars.
I like the sound of double-greasy coils.

OVERALL OPINION

Thirty years in my hands but not the only one in my collection so ...
Its handle is exceptional.
Double-coil, Gibson I tried but could not, the era, and offer me that Ibanez is still with me although sometimes a Gibson, as what ...
A report qualitprix unusual.
If I ever despite Fender, Gibson and others, it's not for nothing.