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Published on 02/04/10 at 07:10
Made In China under French supervision, clean finish
Acajour guitar, maple top
Fixed bridge, no tremolo, precision tunomatic + stop tailpiece
Maple neck stuck
22 freight (until re-)
2 humbuckers (double) (Seymour Duncan TB4 bridge + neck SH1), and split, 2 independent volumes with Push-Pull (Split), 1 master tone 3-position: low, middle, treble. The middle position depends on the micro acute.
Mechanical precision, very pleasant to tune the guitar
UTILIZATION
The handle, thin (perfect for delicate hands) is very easy to play, extremely fluid as long as it adds a bit of fast freight.
the guitar is small in size, very enjoyable to play but quite heavy (or refrain fragile backs prefer a game sitting).
The tweeter is easy to access and leave the shredder speak at will.
The palette of sounds offered by the configuration of the microphones is complete.
We get easily a very good sound, both in its own clear that saturated, making this guitar completely versatile. IT HAS A CRAZY FOR SUSTAIN, both agreements that bend.
SOUNDS
Lag This is the total happiness, beauty instrument made a line and a wonderful sound to fall to the ground. Completely adapted to my style (which ranges from jazz to heavy metal ultra).
In the bridge position with microphones not splitted, the sound is perfect for rock, as well as for the metal. When it splits the microwave still in the bridge position, we get the ideal grain for playing funk, with or without a wah-wah.
In the middle position (which depends on the micro acute), the sound is warm, but less powerful than acute, split it is very accurate.
The distinguished position, splitters or not depending on the intensity that you want to, is ideal for solos with his "hot" (nothing to envy to a Les Paul Gibson)
I couple this with a multi-Lag effect Boss GX 700, itself connected to a Peavey Classic 30 (all lamps) and the resulting sound is just insanely powerful, precise, clear and rich with subtleties, as long as the one plays the position of the microphones, they are splits or not.
Quite simply, it is unnecessary that I hate to sound with the Lag but happiness.
OVERALL OPINION
I use it since October 31, 2008.
I did several concerts with, impeccable roadholding.
Lag is the only that I tried (recommended by a friend who had the same and was thrilled).
The quality / price is just unbeatable. I paid mine € 699.
Attention, I took this model as it turns out that from the 500, are equipped with Roxane Seymour Duncan, which is not the case with lesser models, the sound must be much worse .
You'll understand I love everything: the look, sound it delivers.
Even the weight does not bother me, after all, the pledge of the crazy sustain.
The only mini-flat, independent of the guitar, is linked to the side of the splittable pickups that can cause interference, resulting in the fact of receiving the radio in the HP amp. I found the solution by connecting a volume pedal between the guitar and multi purpose. This pedal cut net interference, much better than the foil and craft that is still very inefficient.
I'm the short: you have a budget of less than 700 € and dream yet to produce the sound of the legendary Gibson Les Paul? Lag This is for you.
Better, as its pickups are split-it offer subtle sounds over the Les Paul, very expensive and overrated as is often the case with myths.
I invite you to watch the sound it produces live video via the "Flashback"
https://www.dailymotion.com/fitch_dealer_spirituel (solo between 4'57 and 5'40).
Acajour guitar, maple top
Fixed bridge, no tremolo, precision tunomatic + stop tailpiece
Maple neck stuck
22 freight (until re-)
2 humbuckers (double) (Seymour Duncan TB4 bridge + neck SH1), and split, 2 independent volumes with Push-Pull (Split), 1 master tone 3-position: low, middle, treble. The middle position depends on the micro acute.
Mechanical precision, very pleasant to tune the guitar
UTILIZATION
The handle, thin (perfect for delicate hands) is very easy to play, extremely fluid as long as it adds a bit of fast freight.
the guitar is small in size, very enjoyable to play but quite heavy (or refrain fragile backs prefer a game sitting).
The tweeter is easy to access and leave the shredder speak at will.
The palette of sounds offered by the configuration of the microphones is complete.
We get easily a very good sound, both in its own clear that saturated, making this guitar completely versatile. IT HAS A CRAZY FOR SUSTAIN, both agreements that bend.
SOUNDS
Lag This is the total happiness, beauty instrument made a line and a wonderful sound to fall to the ground. Completely adapted to my style (which ranges from jazz to heavy metal ultra).
In the bridge position with microphones not splitted, the sound is perfect for rock, as well as for the metal. When it splits the microwave still in the bridge position, we get the ideal grain for playing funk, with or without a wah-wah.
In the middle position (which depends on the micro acute), the sound is warm, but less powerful than acute, split it is very accurate.
The distinguished position, splitters or not depending on the intensity that you want to, is ideal for solos with his "hot" (nothing to envy to a Les Paul Gibson)
I couple this with a multi-Lag effect Boss GX 700, itself connected to a Peavey Classic 30 (all lamps) and the resulting sound is just insanely powerful, precise, clear and rich with subtleties, as long as the one plays the position of the microphones, they are splits or not.
Quite simply, it is unnecessary that I hate to sound with the Lag but happiness.
OVERALL OPINION
I use it since October 31, 2008.
I did several concerts with, impeccable roadholding.
Lag is the only that I tried (recommended by a friend who had the same and was thrilled).
The quality / price is just unbeatable. I paid mine € 699.
Attention, I took this model as it turns out that from the 500, are equipped with Roxane Seymour Duncan, which is not the case with lesser models, the sound must be much worse .
You'll understand I love everything: the look, sound it delivers.
Even the weight does not bother me, after all, the pledge of the crazy sustain.
The only mini-flat, independent of the guitar, is linked to the side of the splittable pickups that can cause interference, resulting in the fact of receiving the radio in the HP amp. I found the solution by connecting a volume pedal between the guitar and multi purpose. This pedal cut net interference, much better than the foil and craft that is still very inefficient.
I'm the short: you have a budget of less than 700 € and dream yet to produce the sound of the legendary Gibson Les Paul? Lag This is for you.
Better, as its pickups are split-it offer subtle sounds over the Les Paul, very expensive and overrated as is often the case with myths.
I invite you to watch the sound it produces live video via the "Flashback"
https://www.dailymotion.com/fitch_dealer_spirituel (solo between 4'57 and 5'40).