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klamit
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Published on 12/18/12 at 05:05How long have you been using?
November 2012
Here is a list of things to know if they may seem trivial to some, I hope they will to others:
1 - Not Octapad is not a sampler / sampler as the SPD-S for example: it is not possible to import your own sound banks (that said, it is still possible to use the 'Octapad as message generator noon and drive and device hardware or software via midi cable midi or usb). Table Implementation noon is available on the roland site: http://www.roland.com/support/article/?q=manuals&p=SPD-30&id=41547809
2 - Octapad is an excellent tool for live performance, thanks to its particular function "phrase loop" that can record and play loops in real time signatures and tempos configurable, and other ancillary functions useful (quantize, chain kit, fx settings, etc ...) However, it seems that everything has not been thought through:
a) The metronome function essential for the loop phrase is not "routable". I mean, he listens to both the L / R output (jacks) output by the "headphones", which live is not very practical. Only solution proposed by Roland, a red LED that flashes the tempo ... not clear or precise drummer amateur that I am, especially in live situations.
b) The entry "Mix In" which has Octapad is interesting to repeat / work with an external audio source (ipod, pc, ...). But again, no routing solution, the input signal out to both the headphones output and the output L / R. Forget this entry to assign it a comeback because the signal serz redirected to the PA. (Both situations a) and b) imply that the user plays through headphones and click).
3 - The sound quality is excellent and very realistic except perhaps for the cymbals. The quantity of sound is limited but the banks are fairly complete, each sound is adjustable (height, pitch, pan, attack, etc ...) and the possibility to assign 30 different selectable effects to the open fields kit the potential to infinity ('re crazy).
Yes I do it again without hesitation as the choice to complete an acoustic set I have not found better, having said that thinking about buying one or two footswtich because if your hands are constantly busy, it will be difficult to access certain features live (mutate some pads, record, etc ...)
November 2012
Here is a list of things to know if they may seem trivial to some, I hope they will to others:
1 - Not Octapad is not a sampler / sampler as the SPD-S for example: it is not possible to import your own sound banks (that said, it is still possible to use the 'Octapad as message generator noon and drive and device hardware or software via midi cable midi or usb). Table Implementation noon is available on the roland site: http://www.roland.com/support/article/?q=manuals&p=SPD-30&id=41547809
2 - Octapad is an excellent tool for live performance, thanks to its particular function "phrase loop" that can record and play loops in real time signatures and tempos configurable, and other ancillary functions useful (quantize, chain kit, fx settings, etc ...) However, it seems that everything has not been thought through:
a) The metronome function essential for the loop phrase is not "routable". I mean, he listens to both the L / R output (jacks) output by the "headphones", which live is not very practical. Only solution proposed by Roland, a red LED that flashes the tempo ... not clear or precise drummer amateur that I am, especially in live situations.
b) The entry "Mix In" which has Octapad is interesting to repeat / work with an external audio source (ipod, pc, ...). But again, no routing solution, the input signal out to both the headphones output and the output L / R. Forget this entry to assign it a comeback because the signal serz redirected to the PA. (Both situations a) and b) imply that the user plays through headphones and click).
3 - The sound quality is excellent and very realistic except perhaps for the cymbals. The quantity of sound is limited but the banks are fairly complete, each sound is adjustable (height, pitch, pan, attack, etc ...) and the possibility to assign 30 different selectable effects to the open fields kit the potential to infinity ('re crazy).
Yes I do it again without hesitation as the choice to complete an acoustic set I have not found better, having said that thinking about buying one or two footswtich because if your hands are constantly busy, it will be difficult to access certain features live (mutate some pads, record, etc ...)