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V old man on the hill « Digital with a big catch. »
Published on 05/13/11 at 07:15Everything has been said about the Whammy almost. It's a digital pedal and that is that there's a catch!
UTILIZATION
The problem of selection of different modes at the foot of the Whammy is easily adjusted through the tutorial available on the AF forum. I myself realize this little box (type EH nano) for thirty euros at Banzai effects. Because if you change the mode during a song the original potentiometer requires us to let go of our instrument (not glop). Inside the manual is the tip to reboot his whammy. Because the bitch be fussy with some rooms flickering electricity and pure paranoia I was trying to paste a acordeur the output of the Whammy. Power consumption also the effect does corespond no other which makes it mandatory to provide space for the small transformer, even if one has planned a general power to his pedalboard.
SOUND QUALITY
The effects of the Whammy is faiths today thanks to Tom Morello Darell or Dime and The Edge. However, the initial defects of the original Whammy (which I sold a copy possedeo for electrical instability and also to ridicule the size of its expression pedal) are still there.
A pedal that horribly digitized sound of your instrument (this is also its charm). And the effect does not maintain true bybass, the worse the effect occurs and triggers the expression pedal in the air, your sound becomes Pettit and with no boundaries, it is imperative to turn off the effect if any part Whammy is expected. The Whammy is a harmonizer of fair quality. Remains the Whammy effect that it will have are: LEGENDARY you are told.
OVERALL OPINION
Given the commercial success of this gear, the engineers at Wacky Digitech have become major flemards sitting on the laurels of a fabulous machine but was duty bound to evolve. And not with Muse that will change! I'm like everyone else I love this digital (sic).
UTILIZATION
The problem of selection of different modes at the foot of the Whammy is easily adjusted through the tutorial available on the AF forum. I myself realize this little box (type EH nano) for thirty euros at Banzai effects. Because if you change the mode during a song the original potentiometer requires us to let go of our instrument (not glop). Inside the manual is the tip to reboot his whammy. Because the bitch be fussy with some rooms flickering electricity and pure paranoia I was trying to paste a acordeur the output of the Whammy. Power consumption also the effect does corespond no other which makes it mandatory to provide space for the small transformer, even if one has planned a general power to his pedalboard.
SOUND QUALITY
The effects of the Whammy is faiths today thanks to Tom Morello Darell or Dime and The Edge. However, the initial defects of the original Whammy (which I sold a copy possedeo for electrical instability and also to ridicule the size of its expression pedal) are still there.
A pedal that horribly digitized sound of your instrument (this is also its charm). And the effect does not maintain true bybass, the worse the effect occurs and triggers the expression pedal in the air, your sound becomes Pettit and with no boundaries, it is imperative to turn off the effect if any part Whammy is expected. The Whammy is a harmonizer of fair quality. Remains the Whammy effect that it will have are: LEGENDARY you are told.
OVERALL OPINION
Given the commercial success of this gear, the engineers at Wacky Digitech have become major flemards sitting on the laurels of a fabulous machine but was duty bound to evolve. And not with Muse that will change! I'm like everyone else I love this digital (sic).