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JayDMusic
Published on 01/17/09 at 10:55
This is a review of the Akai MPD16 MIDI Control Surface. I used it for quite a while and was very pleased with it before I upgraded to an MPD24. You can read my review on the MPD24, too.
First off, I have to say, that I bought this product on a whim. I wasn't really planning on anything when I walked into Sam Ash, but after playing on the MPCs for a little, I decided that using keys wasn't the best way for me to chop samples or play drums in my DAW. I decided that I was going to take the bit of money I had and pick out a pad control device.
The MPD caught my eye because as every person who's heard of the MPC, they will know that it's made by Akai, also. Akai is legendary when it comes to pad control devices, and I had seen a video where a guy chopped an looped a sample in his DAW with the MPD. I thought to myself, "This can be a great investment! I can program my drums just how I want to!". This, coupled with its easy USB connect-ability, made me whip out the debit card for this baby.
When I brought it home, I was surprised when I pulled it out of the box. I thought it would be a little flimsy piece of hardware. I was wrong. It was built well, and could easily withstand the trials of a traveling performer or producer. The pads were soft and thin, sensitive, too. The fader was nice to control the volume in my DAW.
The installation of the thing was a piece of cake. I dropped the CD into my drive, and it read and installed in a matter of a minute or two. I opened up Fruity Loops Studio (Yeah, I use it. Sue me. I love it!), and picked out one of my favorite samples. I dropped it into the FL Slicer and opened my MIDI settings and activated the automatically-detected MPD16. I started hitting the pads on the MPD and realized exactly what my studio had been missing. Using this device made it easy to manipulate and choose exactly what chops I wanted to use. Then, I opened up the FPC plugin and in no time, I had a great drum kit with perfectly configured pads to pound on!
The classic 16 levels and Full Level switch made it easy for me to make my drums fade in and out with master precision instead of having to guess while I adjust the volume of the drum. Instead, I had 16 perfectly spaced levels to work with. I was really pleased with its seamless performance thus far. I was only an hour in, too.
After having it for a couple days, I was so pleased with it that I went out and bought the MPD24, too.
When it comes to pros and cons, there were only pros. Sorry to make you guys upset by leaving out the cons. That's because there were none. The pros were the price, the construction, the pads, the compatibility, the company, the customer service, and the piece of equipment in general. It's a great piece, and I recommend it to anybody who wants to have a simple pad control device to control their DAW. It's a great value and it can prove priceless to any home studio setup.
First off, I have to say, that I bought this product on a whim. I wasn't really planning on anything when I walked into Sam Ash, but after playing on the MPCs for a little, I decided that using keys wasn't the best way for me to chop samples or play drums in my DAW. I decided that I was going to take the bit of money I had and pick out a pad control device.
The MPD caught my eye because as every person who's heard of the MPC, they will know that it's made by Akai, also. Akai is legendary when it comes to pad control devices, and I had seen a video where a guy chopped an looped a sample in his DAW with the MPD. I thought to myself, "This can be a great investment! I can program my drums just how I want to!". This, coupled with its easy USB connect-ability, made me whip out the debit card for this baby.
When I brought it home, I was surprised when I pulled it out of the box. I thought it would be a little flimsy piece of hardware. I was wrong. It was built well, and could easily withstand the trials of a traveling performer or producer. The pads were soft and thin, sensitive, too. The fader was nice to control the volume in my DAW.
The installation of the thing was a piece of cake. I dropped the CD into my drive, and it read and installed in a matter of a minute or two. I opened up Fruity Loops Studio (Yeah, I use it. Sue me. I love it!), and picked out one of my favorite samples. I dropped it into the FL Slicer and opened my MIDI settings and activated the automatically-detected MPD16. I started hitting the pads on the MPD and realized exactly what my studio had been missing. Using this device made it easy to manipulate and choose exactly what chops I wanted to use. Then, I opened up the FPC plugin and in no time, I had a great drum kit with perfectly configured pads to pound on!
The classic 16 levels and Full Level switch made it easy for me to make my drums fade in and out with master precision instead of having to guess while I adjust the volume of the drum. Instead, I had 16 perfectly spaced levels to work with. I was really pleased with its seamless performance thus far. I was only an hour in, too.
After having it for a couple days, I was so pleased with it that I went out and bought the MPD24, too.
When it comes to pros and cons, there were only pros. Sorry to make you guys upset by leaving out the cons. That's because there were none. The pros were the price, the construction, the pads, the compatibility, the company, the customer service, and the piece of equipment in general. It's a great piece, and I recommend it to anybody who wants to have a simple pad control device to control their DAW. It's a great value and it can prove priceless to any home studio setup.