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Recording Drums Part 2

In the Studio with Michael Wagener - Part 2

After explaining how he mics up drums, Michael Wagener now talks more about ribbon microphones, which he considers much less understood than their condenser or dynamic counterparts.

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In fact, the subject almost creates a debate: whereas some say that ribbon mics inhibit hi frequencies, Michael feels that it’s the other way around; condenser mics exaggerate hi frequencies, and they sound less natural and are more difficult to use correctly…

This second part also gives us an opportunity to: go into further detail about some of his choices (why use a stereo mic for overhead?), to see how he sets up drums in a room to get the best possible sound, and especially to hear the result after recording and mixing. Does he get a huge sound? Yes, that’s the right word … In fact, we put the final drum mix into 24-bit 48 kHz, so you can judge for yourself. You can download it here …

← Previous article in this series:
Recording Drums Part I/2
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