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Jeff musicman
Published on 11/17/07 at 01:18
Well what about APRS 6 months of play?
It is certain that his ear and chaqun chaqun expectations.
However I will try to be objective.
I play blues, rock and poprock.
The BTE is a LB419 - 14 X 6.5 ", it is not team circles mold.
I did not buy in France because too CHRE.
I replaced the drum head by Evans "modern vintage" Whereas the snare was cre time or synthetic skin did not exist.
(Hides non-marking and have an air of "indestructible" APRS thirty hours of gameplay!)
I play little tense.
I left the Ludwig snare original MV.
I gave him a stamp adjoin Pure Sound 20 strands.
Slap:
It is a sensitivity and a projection that surprise me EVERY rcoutes of rpeter.
What rectitude!
If I compare my Free Floating (ft because of the black copper is) I would say that the harmonics are incontrlables on the Pearl.
On the Black, MiHR shot you hit, you let it ring, and when you want arrter, you rest the rod on the circle and ... CONTRL you ... DLIR with finesse ... it!
On the Pearl, has the cares of all the camps without ever cts you may matriser!
It's more of the snare is the steel band!!
My impressions so rsument:
With a precision rglage easy.
Trs sensible and sound of ghosts Xellent dissipation notes.
Carre for harmoniques.je say that there is no "exotic prononcquot;.
A clean sound without reasoning EXAGRES.
Heat, neither too much nor too little.
Because without excs, trs versatile.
For me, less impersonal than steel, cold and less powerful.
It has a good Reserved ncessaire if, without forcing, with trs great projection in the middle of amplified instruments.
If I want to play harder, I change my chopsticks in favor of a pair higher density ...
But she also knows how to speak softly while being heard.
With rods, one senses immediately that you can play while dlicatesse supported by this projection remarkable.
Trs certainly enjoyable with jazz brushes on ...
In conclusion.
For jou on various brands and MODELS in groups, I find that this instrument
is more than a snare drum.
If you want to be anything other than a "puncher" is the instrument that puts your motions.
Its correctness is certainly in a good snare drum studio.
I wondered if Black Beauty n'tait a myth.
If that old lady in the 20 n'tait lment a marketing brand amricaine living on these gains, competition from many labels with manufacturing techniques increasingly modern.
Well no, not a myth is a Ralite!
Intrpide a beautiful companion, subtle and sensitive, age of a shekel and timeless
I am not weary of prs.
For paragraphs Philippe Labro:
"That's all it is in the legends"
It is certain that his ear and chaqun chaqun expectations.
However I will try to be objective.
I play blues, rock and poprock.
The BTE is a LB419 - 14 X 6.5 ", it is not team circles mold.
I did not buy in France because too CHRE.
I replaced the drum head by Evans "modern vintage" Whereas the snare was cre time or synthetic skin did not exist.
(Hides non-marking and have an air of "indestructible" APRS thirty hours of gameplay!)
I play little tense.
I left the Ludwig snare original MV.
I gave him a stamp adjoin Pure Sound 20 strands.
Slap:
It is a sensitivity and a projection that surprise me EVERY rcoutes of rpeter.
What rectitude!
If I compare my Free Floating (ft because of the black copper is) I would say that the harmonics are incontrlables on the Pearl.
On the Black, MiHR shot you hit, you let it ring, and when you want arrter, you rest the rod on the circle and ... CONTRL you ... DLIR with finesse ... it!
On the Pearl, has the cares of all the camps without ever cts you may matriser!
It's more of the snare is the steel band!!
My impressions so rsument:
With a precision rglage easy.
Trs sensible and sound of ghosts Xellent dissipation notes.
Carre for harmoniques.je say that there is no "exotic prononcquot;.
A clean sound without reasoning EXAGRES.
Heat, neither too much nor too little.
Because without excs, trs versatile.
For me, less impersonal than steel, cold and less powerful.
It has a good Reserved ncessaire if, without forcing, with trs great projection in the middle of amplified instruments.
If I want to play harder, I change my chopsticks in favor of a pair higher density ...
But she also knows how to speak softly while being heard.
With rods, one senses immediately that you can play while dlicatesse supported by this projection remarkable.
Trs certainly enjoyable with jazz brushes on ...
In conclusion.
For jou on various brands and MODELS in groups, I find that this instrument
is more than a snare drum.
If you want to be anything other than a "puncher" is the instrument that puts your motions.
Its correctness is certainly in a good snare drum studio.
I wondered if Black Beauty n'tait a myth.
If that old lady in the 20 n'tait lment a marketing brand amricaine living on these gains, competition from many labels with manufacturing techniques increasingly modern.
Well no, not a myth is a Ralite!
Intrpide a beautiful companion, subtle and sensitive, age of a shekel and timeless
I am not weary of prs.
For paragraphs Philippe Labro:
"That's all it is in the legends"