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Fender Princeton 65
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MGR/Charles Johnson MGR/Charles Johnson

« Fender Princeton 65 »

Published on 11/15/01 at 15:00
I was looking for a half way decent amp that I could use to play local gigs with at a restraunt in town. I previously owned a Fender Amp Can, which was certainly a great amp, but there's no way this thing was going to compete with everyone else's amps, so I saved up and bought a Princeton 65. I did a lot of research myself buying this amp, making sure that it was the right one. I purchased it for 279.99 instead of the full price which was 400.00.

I did a lot of research myself buying this amp, making sure that it was the right one. I have heard a lot of complaints that the volume knobs on this thing are way to delicate, and if you're not careful they will break. Guess what? That's a bunch of hocus pocus...I spent a lot of time playing on a few of the same exact model, and I found one of them that had delicate volume knobs. Every other model of this amp that I played through didn't have this problem. Another complaint is that a few people didn't like the overdrive-they said that it wasn't heavy enough of a sound when attempting to play hard rock, metal, or punk. I play in a band. All the band members ever want to play is punk and metal. This little thing wales!! I prefer to play classic rock, surf music, whatever. This amp can handle it all! It puts my fellow band member's 100 watt Fender Amp to shame!


The reverb buzzes a little, but I've never found and amp that doesn't! As far as hum goes (fairly standard), it's pretty quiet. The only problem I could say about this amp is if you're going to practice (trying to keep it quiet), don't get your hopes up! The volume knobs are really sensitive-you try to put it on #2 (out of 10) and it'll blast you away. It takes a lot of messing around with the knob to get it at a quiet level.

It is built wonderfully! It even sound's great in the studio! No bad comments here!!

I would recommend this amp to all players who don't just want to practice!

This review was originally published on http://www.musicgearreview.com