All user reviews for the Peavey Studio Pro 112 II (Discontinued)

As cit below is a small 65W amp transistors with a HP 12-inch "Blue Marvel", very practical for personal work and for RPTES (I not grow above of 5 / 10 by volume), it possde two guitar input (low and high impdance for passive and active guitars), a switchable effects loop, footswitch socket for an optional, output to an external speaker and a headphone output (useful for work at night).
Rglages level, we have a 3 band equalizer (low, med and high) on each channel and a rverbe and rglage effect "Transtube" (tube emulation) common to both channels . Each channel has a volume indpendant ("post gain" on the lead channel) and offers sound textures diffrent switchable by a small lever: "Vintage" and "Modern" channel for clean and "Vintage", " Modern "and" High Gain "channel for the lead.
It has a connection and complete enough rglages overall, allowing a wide range (it lacks a mixer output with adjustable volume for recording studio).
The optional footswitch allows channel change (you have to sue the receiver for the Lead channel footswitch that works) only.

UTILIZATION

Trs simple approach, there is no need to be guided to a manual is all alone, there are enough rapidemment DSIR sound even if the pots should be turned frankly a Difference for low volume (so I advise to put about 3 by volume for the grate well rglages).

SOUNDS

It is here that the reputable played an amp, I use it for the past three years in work and personal RPET and I think to keep still for a while, so this amp m well rite of the reputable TransTube!
I play mainly on the lead channel (large rock, mo, mtal of all kinds) with a Fernandes Ravelle (passive pickups high output all of the same) and the disto trs is beautiful, that be low as high volume. The amp is the rgl fawn follows: disto type "Modern" with the win 8-9, 6-7 bass, mdiums of 4 and 5 AIGS, low volume is close to the Rectifiers very serious and compression (it is not exactly of the Mesa-Boogie, we are not in the same price range either) and high-volume, serious s'attnuent a bit and we get a good distortion trs Hughes and Kettner like Vortex or Randall RH100. Textures "Vintage" and "High Gain" are close, respectively, the Led Zep 'and The Darkness, I almost never use them except to train but I think they can convince high volume.
For the clean channel, nothing REALLY transcendent texture "Vintage" is hotter than the "Modern" but I use plutt dernire I like this well (I add a delay and the opportunity a chorus to swell a little).
I always put a bit of rverbe (1-2) to magnify the sound, clean as Lead and poses no problem, no buzz or some musical strains but I can not really say objectively it is music or not, may be a little cold.
The simulation "Transtube" is still growing 9 because it really brings a gain of heat as in Clean Lead.

For résumé, this amp sounds good dlivre whether as Lead Clean and I am happy trs. The only problem is the loss of serious distortion in high volume but it's all common amplifiers and it is not pathological REALLY!
The HP rpond trs much any type of stress, particularly to large heavy palm mute, cash it perfectly, nothing wrong.

OVERALL OPINION

A friend bought 3 years ago, I am always happy trs and I use it every week because it is powerful enough to rpter, small enough to fit in my small trunk trs and offers good sound for trs not look like a fool with friends!
Small default: the grip screws and jacks that take a bit of play (a screwed back easily but will have to do, takes a 10 minutes) and especially, the footswitch buy more, these bxs small practices are so vicious that it is not to offer it with the amp (it's a sales policy but it is certainly harmful!).
It has an amp with a good value trs qualitprix and I Rasht eyes closed if I am proposed for work and personal RPTES. I put my 8 / 10 because of the footswitch option, otherwise, no complaints of reliability.

Peavey is a great company and their prices are reflective of that care for the budget of most consumers. They continue to put out great sounding pieces of gear for extremely affordable prices. Even there highest end amplifiers are well under $1500.

This little amp is a great practice amp. It has a powerful 65 watts which in many cases is too much for practice. also these come with the transtube technology which is about the best way you can get a close tube amp sound out of a solid state amp.

UTILIZATION

Features

* 65 watts (rms)
* 12 inch Blue Marvel® speaker
* T.Dynamics® control
* High & low gain inputs
* Separate volume/gain controls
* Low, mid and high EQ
* EQ/gain voicing switches
* Channel select switch on front panel
* Footswitchable reverb and channel select
* Effects send and return
* External speaker jack


Specifications

* Dimensions 21.875" W x 17.625" H x 10.75" D (Unpacked), 24.25" W x 20.75" H x 13.125" D (Packed)
* Weight 39 lbs. (Packed), 34.5 lbs. (Unpacked)

SOUNDS

This amp is a little gem of an amp. You can get a decent but not great clean tone and a good high gain tone as well. I have never been a fan of the Peavey clean tones. They seem to have very little life or soul in them. However, that isn't why most people look to Peavey for their amplifier needs.

People go to Peavey for one good prices and also great high gain amps. This amp has a sweet sounding high gain tone that is very forgiving and fun to play around with. The amp is very forgiving and easy to play. If you have ever spend time on a VHT or a Splawn then you will know how tight and unforgiving those amps can be. This one is loose on the distortion side.

OVERALL OPINION

I am not sure what the going rate for these amps are now a days. They couldn't be too much money. I have seen them depending on the features as low as $100 and all the way up to $250. Not sure exactly what the differences were as I wasn't looking to buy but they are relatively inexpensive to own.

I would recommend this to anyone who needs a good sounding multi channel amp for a good price. This will be a good practice amp and not designed for stages really. You can play them on stage somewhere but you might get an ear full from a the sound man.

It's all transistor, 65 W displayed, effects loop (send return), 2 inputs (highgain / low gain) output line out / external speaker on the back and the indispensable Footswitch
2 channels
Eq on clean, bass mid treble, plus button to add Bright flapping in the clean
Eq of distortion, bass mid treble, adjusting Prégain / Postgain separate Gain control over for even more gain (yeah bah c logic but I said), and Trash to dig the middle.
Reverb (reverb unconvincing, but hey, she deserves to be there)

UTILIZATION

Not very complicated to use, given the brevity of the manual (a page and a half I think!) That is better.
The clean is pretty good.
The distortion is quite flexible with the pre gain, trash button is quite useful since the middle are very much without him (y'en who love, but not me).

SOUNDS

Instead turned to the big sound, he appreciates the humbuckers.
Disto rather cold, impersonal, it arranges with an equalizer / gain for a lot of styles and metal guitar solos is cool
Clean bright and clear

OVERALL OPINION

I have 6 years, I find it powerful, but its distos are too cold and tiresome ...
Purchased approximately 2800F, I find too expensive.

This amp is a 65W amp transistors with a HP 12 inch Blue Marvel. It possde two guitar input (low and high), an effects loop, a plug for the footswitch which is optional, an output to an external speaker and a headphone output. We also have a 3 band equalizer (low, med and high) on each channel and a rverbe rglage and T-Dynamics. Each channel has a volume indpendant and offers DIFFERENT types of sounds switchable by a lever: "Vintage" and "Modern" channel for clean and "Vintage", "Modern" and "High Gain" channel for the lead . The connection is not bad and are rglages plutt complete overall. I just find that it lacks an outlet to be able to be transplanted in a mixer at concert for example. For cons, I never worked rverb same passage APRS workshop.

UTILIZATION

Setup is a breeze, we arrive easily find the sound is looking for the manual for the make up the numbers as the amp is clear and simple to use. The leaflet gives examples of rglages but I do not see good rev ... However I find the knobs ragissent trs well, particularly for the earnings rgler trs prcis I think.

SOUNDS

I mainly play rock, hard rock, and this is clearly mtal with its field of use. I play it with a Fender Highway One Stratocaster or Gibson Les Paul Classic and I find that the grain of each guitar is made well enough for an amp transistors. For its clear, I put myself in position plutt "Vintage" because I find the sounds warmer and they are as close as a lamp that amp "Modern", which is cool. In distortion, I use the method "vintage" for blues, rock, hard rock from the 60-70 in the spirit of Led Zeppelin, AC / DC at low saturation, Jimi Hendrix, "modern" for the big mtal very heavy, "high gain" to play such as Iron Maiden. The amp may be a little low bard, so rgler based guitarist, but thanks to the palm-mute trs are well made and strong. As a group, it is powerful enough to agree, but it must be rgler because I found a little behind compared to other amps: when I play with the other guitarist in my group, which has a Marshall MG50DFX, I do not get much volume trs gal and only after small adjustments to the qualisation I resurfaced

OVERALL OPINION

I bought this amp when I beginners guitar, 3 years ago and it satisfies me. Trs is versatile and comes out a good sound. The report qualitprix trs is good (bought new for 299), as usual with Peavey. It is powerful enough to play in rpter and medium-sized rooms (possibly picked up by a microphone) and it is not too bulky. Only default: no footswitch supplied with the amp or if anything wrong.

See other reviews. I still accurate than mine (the series more morden I do not know) has an analog reverb.

UTILIZATION

We do is use more traditional and simpler. I've never had to open the manual. The equalization is effective, and the types of sounds are all different. For the simulation knob lamps, there is hardly a difference between level 0 and the maximum ... In

SOUNDS

sound, light, sounds very "transistor" very neutral, cold, but well balanced and very accurate. Equalization and the selector "modern / vintage" allows you to play all the guitars. Do not expect to play blues or funk with a nice sound, but jazz is pretty cool (especially with a friend Parker, equipped with SD SH2 and SH4).
In Lead, 3 different positions: the "vintage", which is a pretty bold crunch, with a large amplitude. This is the sound as pleasant on that channel. the "modern", a typical metal, perfect for train harmonics, tapping and the technical demonstrations. Careful though not to put too much gain, it drools a lot and a big mash could leave your speakerphone! However, this allowed me muddy side, I began lorqui, overcome my faults But gambling attention to feedback, it is still there! I think the position higain "is a horror, screaming, without soul, I've never used.
Honestly, for distos could use some work. Prefer pedals.
I like the reverb on this amp, if not exceed one quarter of its travel, except if you want to know how it feels to play in a cathedral.

OVERALL OPINION

I use for almost 5 years. I then had a limited budget, modeling was not very accurate at the time and quite expensive.
I have not changed because of funding, but I use this amp with pedals always, whether for a clear sound (with a slight boost) or distortion. However, it is quite powerful, reliable and speaker quality is good.
But now this amp is exceeded, for the price you can have with modeling amps sound much better and versatile folds.
On occasion, you can find around 100 €, which is not bad considering the power of this amp, provided they have pedals.
With experience and today I would not make that choice. I prefer a Line 6 or Epiphone Valve Junior, a Roland Cube seen, albeit less powerful, but much better in this price range.