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pharmacien « Ultimate! »
Published on 06/27/12 at 12:33
Value For Money :
Excellent
Beauty is made in the USA, of course, the bridge is like american deluxe steel dense, two-point, very solid, reliable, good performance agreement, in short just below a Floyd Rose (but when sustain even better ..)
The neck is rosewood, it's good, I find the maple a little "empty" and I like the darker keys! In addition the nail because Maple is still the wood is less dense and more fragile, it plays more in time and with humidity and finally gives her a very dry, with less sustain ...
The profile is a "modern C" end is very fast (for a Strat, of course, there is not an ibanez superhero
especially with radial offset, which allows for greater playing comfort and above all a perfect accuracy beyond the 9 th box, with solos fairer. And for someone who already knows the proper control strat, this is pure bliss, it's not by chance that some signatures like Eric Johnson adopts a radius offset, even on very vintage sleeves (one piece, profile V, yellowed wood ... but offset radius, not the beast Eric!)
The number of chartered lets explode a treble freddie mercury and the absence of a flare up only 24 disconcert fans of high-pitched chorus of all the ways that play only on monsters Hambuckers / Assets / FloydRose / Fire alert ...
The pickups are "N3 noiseless" who have the immense advantage of not generating background noise when you play or saturated crunch, perfect for the studio, but also and especially a scene, or proximity of other devices do not mess up the sound ..
Some purists swear by the vintage / reissue / custom shop / master built over 4000 € euros will tell you that these pickups have less character than Texas Special or Custom. I must say that having owned a real vintage Strat and a lot of, so a custom shop ... it's Pipo. I really do not diminish my respect, N3 are warm, clear, slap, brilliant, and superbly adapt to all styles of the kingdom of the Strat: from clapton / Hendrix, Johnson, through Knopfler (which her!) or Malsmteen, blues cushy, jazz, reggae shredding metalheads, all is good!
Metalheads? Yep! Because besides being good microphones simple, N3 are coupled to a system switch "S1" which allows to set the microphones! Result, we end up with sounds Hambuckers, large output level, much like the Clapton boost .. but much better.
In short, after having tried for a year over that of a friend, I found this great shovel with a fun game and incredible ears. And I'm used to Strat.
UTILIZATION
The handle is very nice, quick little tiring, very good ergonomics.
The radius gives a good sound easy, it's appropriate to say. But a good bad grateux will remain!
So perfect use.
SOUNDS
We find ALL the sounds of strat ... without the enormous lack of background noise from single coils.
OVERALL OPINION
I use it for a year (a loan) and the FSR blue metallic over the past few days. But identical to an american deluxe so I do not speak on the stroke of the euphoria of the purchase, I know it well.
The value for money is good, because even if it is "a Fender" The quality of finish is well above the standard, whether the quality of wood, paint assembly, adjustments, work of wood, the pickups, vibrato ...
While the U.S. manufacturing prevents more affordable, but made in Mexico do not benefit at all from the same standard of manufacturing, quality control of manufacturing steps and super evil age.
With experience, yes, of course, this is an ultimate version of the Strat, taking grain and warmth of these grandmothers providing higher quality, and versions FSR (Fender Special Run) I have been waiting time allowed me to fulfill a dream: a super strat, rare (limited edition of 100 copies worldwide) and ... a beautiful blue!
Because I love the blues in the musical sense as color
The neck is rosewood, it's good, I find the maple a little "empty" and I like the darker keys! In addition the nail because Maple is still the wood is less dense and more fragile, it plays more in time and with humidity and finally gives her a very dry, with less sustain ...
The profile is a "modern C" end is very fast (for a Strat, of course, there is not an ibanez superhero
especially with radial offset, which allows for greater playing comfort and above all a perfect accuracy beyond the 9 th box, with solos fairer. And for someone who already knows the proper control strat, this is pure bliss, it's not by chance that some signatures like Eric Johnson adopts a radius offset, even on very vintage sleeves (one piece, profile V, yellowed wood ... but offset radius, not the beast Eric!) The number of chartered lets explode a treble freddie mercury and the absence of a flare up only 24 disconcert fans of high-pitched chorus of all the ways that play only on monsters Hambuckers / Assets / FloydRose / Fire alert ...
The pickups are "N3 noiseless" who have the immense advantage of not generating background noise when you play or saturated crunch, perfect for the studio, but also and especially a scene, or proximity of other devices do not mess up the sound ..
Some purists swear by the vintage / reissue / custom shop / master built over 4000 € euros will tell you that these pickups have less character than Texas Special or Custom. I must say that having owned a real vintage Strat and a lot of, so a custom shop ... it's Pipo. I really do not diminish my respect, N3 are warm, clear, slap, brilliant, and superbly adapt to all styles of the kingdom of the Strat: from clapton / Hendrix, Johnson, through Knopfler (which her!) or Malsmteen, blues cushy, jazz, reggae shredding metalheads, all is good!
Metalheads? Yep! Because besides being good microphones simple, N3 are coupled to a system switch "S1" which allows to set the microphones! Result, we end up with sounds Hambuckers, large output level, much like the Clapton boost .. but much better.
In short, after having tried for a year over that of a friend, I found this great shovel with a fun game and incredible ears. And I'm used to Strat.
UTILIZATION
The handle is very nice, quick little tiring, very good ergonomics.
The radius gives a good sound easy, it's appropriate to say. But a good bad grateux will remain!
So perfect use.
SOUNDS
We find ALL the sounds of strat ... without the enormous lack of background noise from single coils.
OVERALL OPINION
I use it for a year (a loan) and the FSR blue metallic over the past few days. But identical to an american deluxe so I do not speak on the stroke of the euphoria of the purchase, I know it well.
The value for money is good, because even if it is "a Fender" The quality of finish is well above the standard, whether the quality of wood, paint assembly, adjustments, work of wood, the pickups, vibrato ...
While the U.S. manufacturing prevents more affordable, but made in Mexico do not benefit at all from the same standard of manufacturing, quality control of manufacturing steps and super evil age.
With experience, yes, of course, this is an ultimate version of the Strat, taking grain and warmth of these grandmothers providing higher quality, and versions FSR (Fender Special Run) I have been waiting time allowed me to fulfill a dream: a super strat, rare (limited edition of 100 copies worldwide) and ... a beautiful blue!
Because I love the blues in the musical sense as color