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ikeaone
Published on 05/19/07 at 04:34
In terms of specifications you can go to the official website ibanez.
I will go directly to the type of handle: it is a ibanez neck type that is rather flat But know wanted to run a vintage feel that is it is not as flat as a RG, the is not a pancake where grip is often easier (the thumb has more grip ...), a more natural feeling but I will return later. Ibanez then typed a handle but not too, with a radius which evolved into the microphones: a more ergonomic handle is raproche when the body of the grate. I put 9 / 10 acr 24 cases have sometimes been necessary ...
UTILIZATION
The handle, therefore: Sach is a jusqueboutiste. He managed to think of a nice round (not a pancake ...) ultra ergonomic (radius evolutionary) and extremely fast: the handle is a six-lane highway! Just look at what he does ... but with a small point of detail. Satriani is small, even very small, and his hands are not those of Steve Vai, they are relatively small, and the handle is above all his own. My hands were very large pes, I do not know what to give it with big hands to handle Vai ... A super fast, then, and very accurate. Access to acute is trivial, the body shape as well, we played standing or sitting.
Always listen to what are the artists whose guitars are guitars signatures: Sach play a lot with the touch, the feel, even his plans are a quick Carresse on the handle, Vai is much more nervous. The handle of the JS is really his own, and the shape of the body, all I would say, seems made for a game while feeling. I had some big guitars with a musicman EVH signature model, much more expensive, built for another as the handle, another speed of the grate, but I much prefer the JS. Cheaper, it remains a guitar "high end" accessible and very well thought out.
SOUNDS
In terms of sound, the possibilities are enormous. This may be an advantage as a disadvantage (never satisfied, you can always have another ...). the sound also depends very much on the material behind it: the possible effects and amp. Sach likes it without playing with three and ten digitech rack effects. In fact a good all-tube amplifier will provide big sound in its almost jazzy. clean sounds are huge! The sounds are a reflection of the grate, the wholesale feeling the finest ... of sach, what! Sach is a researcher, and all of us at our level, we can be with this machine to explore the sounds. Grate the alien kind.
OVERALL OPINION
I use it for a few days but I had tried several times already ... I must say that being a fan of Sach, I'm not necessarily too neutral, but hey, it gets worse as zicos.
What I like least in this grate? Ben shit, there I see no ...
I tried and owned other grates for some much more expensive, but not better ...
Value for money? You will not find better.
Not only I have no regrets, but I think in a few years, I have others (just to the collective ...)
I will go directly to the type of handle: it is a ibanez neck type that is rather flat But know wanted to run a vintage feel that is it is not as flat as a RG, the is not a pancake where grip is often easier (the thumb has more grip ...), a more natural feeling but I will return later. Ibanez then typed a handle but not too, with a radius which evolved into the microphones: a more ergonomic handle is raproche when the body of the grate. I put 9 / 10 acr 24 cases have sometimes been necessary ...
UTILIZATION
The handle, therefore: Sach is a jusqueboutiste. He managed to think of a nice round (not a pancake ...) ultra ergonomic (radius evolutionary) and extremely fast: the handle is a six-lane highway! Just look at what he does ... but with a small point of detail. Satriani is small, even very small, and his hands are not those of Steve Vai, they are relatively small, and the handle is above all his own. My hands were very large pes, I do not know what to give it with big hands to handle Vai ... A super fast, then, and very accurate. Access to acute is trivial, the body shape as well, we played standing or sitting.
Always listen to what are the artists whose guitars are guitars signatures: Sach play a lot with the touch, the feel, even his plans are a quick Carresse on the handle, Vai is much more nervous. The handle of the JS is really his own, and the shape of the body, all I would say, seems made for a game while feeling. I had some big guitars with a musicman EVH signature model, much more expensive, built for another as the handle, another speed of the grate, but I much prefer the JS. Cheaper, it remains a guitar "high end" accessible and very well thought out.
SOUNDS
In terms of sound, the possibilities are enormous. This may be an advantage as a disadvantage (never satisfied, you can always have another ...). the sound also depends very much on the material behind it: the possible effects and amp. Sach likes it without playing with three and ten digitech rack effects. In fact a good all-tube amplifier will provide big sound in its almost jazzy. clean sounds are huge! The sounds are a reflection of the grate, the wholesale feeling the finest ... of sach, what! Sach is a researcher, and all of us at our level, we can be with this machine to explore the sounds. Grate the alien kind.
OVERALL OPINION
I use it for a few days but I had tried several times already ... I must say that being a fan of Sach, I'm not necessarily too neutral, but hey, it gets worse as zicos.
What I like least in this grate? Ben shit, there I see no ...
I tried and owned other grates for some much more expensive, but not better ...
Value for money? You will not find better.
Not only I have no regrets, but I think in a few years, I have others (just to the collective ...)