View other reviews for this product:
Claudeze
Published on 12/14/06 at 09:15
(4) Gate / expander with 1U rackmount parametric filter, connector jack / xlr.
Good quality and aesthetic apparent. Presence of a cross on / off (it should be emphasized ...)
UTILIZATION
The config is apparently simple (like everyone gate), and super tedious in practice. The manual is clear, but not enough on one point: the specific use and practice of the filter.
A gate (regardless of the brand and quality) must be very carefully developed to be effective and not to distort the sound, see the degradation (clicks doors ect ...)
Digression: it is unfair to gun down behringer products at any cost: some are good, others less so but all have the advantage of being accessible in price (less than 100 € new here).
I use this gate to the studio to catch the battery that's all. (It is not as effective for other things, failing to be tested).
SOUND QUALITY
Small problem: an entry gate is harder and longer to develop a model or other type Drawmer, and precisely, There are here the famous knobs that prevent the screen with precision adjustment. Sometimes just one step on the threshold for "take" or not the source, or avoid taking a neighbor: it is not accurate enough, but satisfying nonetheless. Bravo for the leds lights type (open / treatment / relaxation) and for the attenuation of LEDs: the settings are visual facilities.
As against the filter (very effective, contrary to what I read here and there) is long enough to develop, but can with its selectivity, lower the threshold (threshold) trigger and to provide more sensitivity nuances. The problem is that a lot of frequencies are close, so it helps especially at frequencies far enough away (bass drum / snare drum or snare / hi-hat)
OVERALL OPINION
I use the camera mode only gate to catch his battery, and I am very satisfied with the product, but be careful to take time for the rules, all parameters are vital. the attack is not adjustable, but be careful to hold (hold) and release (release) it must operate notch by notch. attention to the degree of attenuation as well (not too ...); patience for the filter too.
Obviously, there goes his way for jazz and all the subtle games (also in this case two overheads are usually sufficient). But otherwise, it is very effective and fulfills its function: the sound is clean of any bad acoustics of the room, and especially the interference of a microphone on the other. Of course, this does not avoid microphones and appropriate quality and a good investment for them. (With the M. .. we can do than the M. ..) PS: no audible clicks so well regulated.
Good quality and aesthetic apparent. Presence of a cross on / off (it should be emphasized ...)
UTILIZATION
The config is apparently simple (like everyone gate), and super tedious in practice. The manual is clear, but not enough on one point: the specific use and practice of the filter.
A gate (regardless of the brand and quality) must be very carefully developed to be effective and not to distort the sound, see the degradation (clicks doors ect ...)
Digression: it is unfair to gun down behringer products at any cost: some are good, others less so but all have the advantage of being accessible in price (less than 100 € new here).
I use this gate to the studio to catch the battery that's all. (It is not as effective for other things, failing to be tested).
SOUND QUALITY
Small problem: an entry gate is harder and longer to develop a model or other type Drawmer, and precisely, There are here the famous knobs that prevent the screen with precision adjustment. Sometimes just one step on the threshold for "take" or not the source, or avoid taking a neighbor: it is not accurate enough, but satisfying nonetheless. Bravo for the leds lights type (open / treatment / relaxation) and for the attenuation of LEDs: the settings are visual facilities.
As against the filter (very effective, contrary to what I read here and there) is long enough to develop, but can with its selectivity, lower the threshold (threshold) trigger and to provide more sensitivity nuances. The problem is that a lot of frequencies are close, so it helps especially at frequencies far enough away (bass drum / snare drum or snare / hi-hat)
OVERALL OPINION
I use the camera mode only gate to catch his battery, and I am very satisfied with the product, but be careful to take time for the rules, all parameters are vital. the attack is not adjustable, but be careful to hold (hold) and release (release) it must operate notch by notch. attention to the degree of attenuation as well (not too ...); patience for the filter too.
Obviously, there goes his way for jazz and all the subtle games (also in this case two overheads are usually sufficient). But otherwise, it is very effective and fulfills its function: the sound is clean of any bad acoustics of the room, and especially the interference of a microphone on the other. Of course, this does not avoid microphones and appropriate quality and a good investment for them. (With the M. .. we can do than the M. ..) PS: no audible clicks so well regulated.