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pebbonnet
Published on 01/28/08 at 15:57
All-amp lamp.
40W
4 inputs: 2 normal, 2 bright.
Volume, bass, treble on whether bright as the normal.
2 between diffrent to allow to control at least the famous fender crunch.
No need to quibble trs long to get his sound. The bass and treble its my opinion to fix the guitar.
UTILIZATION
Setup could not be more simple.
Pa sgrand thing as rglage and therefore no great range of sound. The EQs are not specially effective, but they are just fine.
The reverb is idalie. The vibrato / trmolo rings of hell. With the micro bridge on the guitar, you get older 35 in once: vintage as his hyper: left that do surfrock!!
There was probably a manual but I did not read.
SOUNDS
Oh my god, a breath .... Deutsche real hair, it's crazy ... For cons, the level of breath does not believe rglage proportionally with the volume. Like it? Why?
In short, low-volume recording: not possible. It's a real point ngatif of the amp.
To del a: the sound of the amp to one meter ahead: the sound comes out of the amp, nothing parat stop the sound. Each attack bounces without problem: none of the dynamics of your instrument will be damaged. Dynamic point of view of the sound is standard, which relays a rare amp with such a great devotee.
Viewpoint sound color: trs fender. Bright enough / so flashy, not heavy, slightly warm and well-rounded and not severe drooling.
I'm using the bright channel with two microphones for a Fender Jazzmaster. I redcouvre grace bridge this amp that I always pricked ears with the Jazzmaster. With this amp, is going wonderfully: the ct spice mellows a little without the mute. By the neck against, has become a bit "boomy" is less than the Previous prcis.
Entries 1 to go fast enough to crunch own fender, entries 2 as they can be pushed a little more before we get l.
Basically, this amp is trs trs end, trs subtle in the sense that the sound retains its DEFINITIONS. It shows "color fender". If you are looking for loud, bold, not to you.
Again, the trick quite thunderous, it is the breath: I even asked if he had a problem. Apparently, it is possible to change the lamp of the first Tagus with one that would make it less of breath but would lose a bit of noise too.
I also tried the famous super sonic with a simulation of the Vibrolux and I did not remember such a breath.
OVERALL OPINION
Everyone's expectations. I must have tried at least 15 amps before choosing the one. For me it is gnial except this story of breath, once again, that I qd same mouth Permit be!
The four inputs can stepfather EXAGRES some but not all. If you use like me distos, crunch and fuzz pedals in, you will be glad to have both inputs to delay the natural crunch of the amp.
40W
4 inputs: 2 normal, 2 bright.
Volume, bass, treble on whether bright as the normal.
2 between diffrent to allow to control at least the famous fender crunch.
No need to quibble trs long to get his sound. The bass and treble its my opinion to fix the guitar.
UTILIZATION
Setup could not be more simple.
Pa sgrand thing as rglage and therefore no great range of sound. The EQs are not specially effective, but they are just fine.
The reverb is idalie. The vibrato / trmolo rings of hell. With the micro bridge on the guitar, you get older 35 in once: vintage as his hyper: left that do surfrock!!
There was probably a manual but I did not read.
SOUNDS
Oh my god, a breath .... Deutsche real hair, it's crazy ... For cons, the level of breath does not believe rglage proportionally with the volume. Like it? Why?
In short, low-volume recording: not possible. It's a real point ngatif of the amp.
To del a: the sound of the amp to one meter ahead: the sound comes out of the amp, nothing parat stop the sound. Each attack bounces without problem: none of the dynamics of your instrument will be damaged. Dynamic point of view of the sound is standard, which relays a rare amp with such a great devotee.
Viewpoint sound color: trs fender. Bright enough / so flashy, not heavy, slightly warm and well-rounded and not severe drooling.
I'm using the bright channel with two microphones for a Fender Jazzmaster. I redcouvre grace bridge this amp that I always pricked ears with the Jazzmaster. With this amp, is going wonderfully: the ct spice mellows a little without the mute. By the neck against, has become a bit "boomy" is less than the Previous prcis.
Entries 1 to go fast enough to crunch own fender, entries 2 as they can be pushed a little more before we get l.
Basically, this amp is trs trs end, trs subtle in the sense that the sound retains its DEFINITIONS. It shows "color fender". If you are looking for loud, bold, not to you.
Again, the trick quite thunderous, it is the breath: I even asked if he had a problem. Apparently, it is possible to change the lamp of the first Tagus with one that would make it less of breath but would lose a bit of noise too.
I also tried the famous super sonic with a simulation of the Vibrolux and I did not remember such a breath.
OVERALL OPINION
Everyone's expectations. I must have tried at least 15 amps before choosing the one. For me it is gnial except this story of breath, once again, that I qd same mouth Permit be!
The four inputs can stepfather EXAGRES some but not all. If you use like me distos, crunch and fuzz pedals in, you will be glad to have both inputs to delay the natural crunch of the amp.