Badcard
Published on 01/14/07 at 10:52
This is an ultra-dition r Fidler '59 Fender Bassman's.
This amp is the ancestor of rock.
MODEL is the copy that Marshall To create the JTM-45.
The only difference between these two amps both components and HP.
This amp is Fully vintage design, cable and all the hand ...
Amp lamp 2x6L6 class AB = 45 Watts.
Double-channel amplifier with common legalization.
4 Channels (Normal and Canal Canal Bright, with high / low for each).
No reverb, no effects loops, no footswitch.
4 HP Jensen P-10R 10 "8ohm in cabl SERIES = 2.75ohm load
Otherwise, the knobs of rglages in order are:
Vol. Normal | Vol. Bright | Treble | Bass | Middle | Presence |
Rectification lamps.
No switching between channels, but can couple them with a "patch".
Fully built in Combo Pins (yes the wood has an influence on the sound)
UTILIZATION
This is an amp made in order to be used in single channel, but it's pretty easy to get the three sounds clean, crunch and distortion from the volume of a guitar.
If you want even more nuances, just add a boost.
The legalization is extremely efficient and normment change the sound and the type of distortion obtained.
For example, if the distortion comes too early, just down a bit low. We can instead push the mids and thicken substantially distortion, etc ...
SOUNDS
This is an amplifier design "vintage" and yet it is versatile trs.
Not make for extremely genres (metal and company) but amazing for classic rock and blues. For the same type of hard rock AC / DC should be a marvel.
Sounds clear sounds beautiful Fender trs recess, but with the wealth of "vintage", not for the country so IDAL.
The amp excels or is in the crunch pchu and hoarse.
Say when the gain comes around 6 (of 12).
The amp is sensitive trs dynamics play guitar.
For example we have a little clean his trs arpge playing gently, and then drilling the attack switched to pitcher and finally chords get wild distortion.
It's really satisfying to play on an amp that reflects both the nuances of his attack, this makes the amp the most expressive and srement I tried the best for the blues.
OVERALL OPINION
I have for over a month.
I prfre above all is its expressiveness and its vintage vibe.
This amp is a rock icon and it's exhilarating to find the artists that we have cost young.
Victoria is certainly the best of rpliques Bassman, going up to the transformer and Fiare Resistors with the same tools that the era.
Bassman is a vritable ngoc around 10K then have a "new" for a little more expensive than rdition Fender (less Fidler, printed circuit ...) and a bargain I think!
I do not think I ever resell this amp is a key pice of my collection.
This amp is the ancestor of rock.
MODEL is the copy that Marshall To create the JTM-45.
The only difference between these two amps both components and HP.
This amp is Fully vintage design, cable and all the hand ...
Amp lamp 2x6L6 class AB = 45 Watts.
Double-channel amplifier with common legalization.
4 Channels (Normal and Canal Canal Bright, with high / low for each).
No reverb, no effects loops, no footswitch.
4 HP Jensen P-10R 10 "8ohm in cabl SERIES = 2.75ohm load
Otherwise, the knobs of rglages in order are:
Vol. Normal | Vol. Bright | Treble | Bass | Middle | Presence |
Rectification lamps.
No switching between channels, but can couple them with a "patch".
Fully built in Combo Pins (yes the wood has an influence on the sound)
UTILIZATION
This is an amp made in order to be used in single channel, but it's pretty easy to get the three sounds clean, crunch and distortion from the volume of a guitar.
If you want even more nuances, just add a boost.
The legalization is extremely efficient and normment change the sound and the type of distortion obtained.
For example, if the distortion comes too early, just down a bit low. We can instead push the mids and thicken substantially distortion, etc ...
SOUNDS
This is an amplifier design "vintage" and yet it is versatile trs.
Not make for extremely genres (metal and company) but amazing for classic rock and blues. For the same type of hard rock AC / DC should be a marvel.
Sounds clear sounds beautiful Fender trs recess, but with the wealth of "vintage", not for the country so IDAL.
The amp excels or is in the crunch pchu and hoarse.
Say when the gain comes around 6 (of 12).
The amp is sensitive trs dynamics play guitar.
For example we have a little clean his trs arpge playing gently, and then drilling the attack switched to pitcher and finally chords get wild distortion.
It's really satisfying to play on an amp that reflects both the nuances of his attack, this makes the amp the most expressive and srement I tried the best for the blues.
OVERALL OPINION
I have for over a month.
I prfre above all is its expressiveness and its vintage vibe.
This amp is a rock icon and it's exhilarating to find the artists that we have cost young.
Victoria is certainly the best of rpliques Bassman, going up to the transformer and Fiare Resistors with the same tools that the era.
Bassman is a vritable ngoc around 10K then have a "new" for a little more expensive than rdition Fender (less Fidler, printed circuit ...) and a bargain I think!
I do not think I ever resell this amp is a key pice of my collection.