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Fred the Riffer
Published on 09/08/06 at 22:32
Tube amp, 60 watts of true, you can play 3 with a drummer who bangs (I do)
2 channels, clean channel with the splittable (Vibrolux and Bassman), bassman sound good with a double crunch, we can have three different sounds at the base.
It's high-end super cable supplied for connecting the external speaker (a 2 * 12 mesa boogie in my case), all connections are concrete.
The manual is clear, with small tips and examples of sounds (rock, blues, metal, rhythm, solos ...)
UTILIZATION
Is the strength of this amp, all configurations ring of hell, plain as saturated
It can also Utilia the loop as a boost, this trick allows a master general, with two different levels on the three sounds, rhythms and solos to distinguish, or play the coolest intros or certain songs.
If you want to take advantage of the loop with a small delay and other effects, a volume pedal gives you the flexibility needed.
Bassman is the sound of hell when it saturates but the noise disturbing the prorpiétaire America's small pub where you play ... the volume pedal will be the solution to enjoy this great The Bassman in very small rooms
Otherwise, the receiver ring of hell or high volume low, and there are reserve ...
SOUNDS
My God sounds ...
When I returned the machine for the first time as, the first notes of the faces of my partners are informed, that sounds really great. I've been playing for 11 years on a Marshall JMP head customized by the magicians of VHM, that sounds hellish, but this Fender was very strong.
First, clean sounds Vibrolux or Bassman mode can tackle all of varying styles and sounds clear on the same pieces, and my god it's beautiful. Can be as described above them cruncher, but beware the noise level in small rooms or in a small room (the volume pedal will be necessary to lower the general)
Have a sound database clear of this level is best. You can imagine that any distortion pedals and effects of ring of hell sounds of this quality.
Channel 2 has saturated gains, allowing huge possibillity: the crunch of his 70s, ACDC, Van Halen Fuzz until more modern.
I have a lot to play on the Fender Twin Amp comber, who has a good saturation, but that of the Prosonic is much higher than the top grain. It compresses serious and it's always super nice. I have a Fender Stratocaster and a Gibson Les Paul, it sounds top in all configurations.
OVERALL OPINION
In short: easy to adjust, clean sounds on top, on top of distorted sounds, from vintage to modern rock (with the noisy fuzz pop or metal), this amp will meet all your expectations. This is the foot, and much cheaper than Mesa, and other high-end amp giving you the sound of that quality.
Go to the site or fender.com fender.fr, listen to the sounds and go try it.
2 channels, clean channel with the splittable (Vibrolux and Bassman), bassman sound good with a double crunch, we can have three different sounds at the base.
It's high-end super cable supplied for connecting the external speaker (a 2 * 12 mesa boogie in my case), all connections are concrete.
The manual is clear, with small tips and examples of sounds (rock, blues, metal, rhythm, solos ...)
UTILIZATION
Is the strength of this amp, all configurations ring of hell, plain as saturated
It can also Utilia the loop as a boost, this trick allows a master general, with two different levels on the three sounds, rhythms and solos to distinguish, or play the coolest intros or certain songs.
If you want to take advantage of the loop with a small delay and other effects, a volume pedal gives you the flexibility needed.
Bassman is the sound of hell when it saturates but the noise disturbing the prorpiétaire America's small pub where you play ... the volume pedal will be the solution to enjoy this great The Bassman in very small rooms
Otherwise, the receiver ring of hell or high volume low, and there are reserve ...
SOUNDS
My God sounds ...
When I returned the machine for the first time as, the first notes of the faces of my partners are informed, that sounds really great. I've been playing for 11 years on a Marshall JMP head customized by the magicians of VHM, that sounds hellish, but this Fender was very strong.
First, clean sounds Vibrolux or Bassman mode can tackle all of varying styles and sounds clear on the same pieces, and my god it's beautiful. Can be as described above them cruncher, but beware the noise level in small rooms or in a small room (the volume pedal will be necessary to lower the general)
Have a sound database clear of this level is best. You can imagine that any distortion pedals and effects of ring of hell sounds of this quality.
Channel 2 has saturated gains, allowing huge possibillity: the crunch of his 70s, ACDC, Van Halen Fuzz until more modern.
I have a lot to play on the Fender Twin Amp comber, who has a good saturation, but that of the Prosonic is much higher than the top grain. It compresses serious and it's always super nice. I have a Fender Stratocaster and a Gibson Les Paul, it sounds top in all configurations.
OVERALL OPINION
In short: easy to adjust, clean sounds on top, on top of distorted sounds, from vintage to modern rock (with the noisy fuzz pop or metal), this amp will meet all your expectations. This is the foot, and much cheaper than Mesa, and other high-end amp giving you the sound of that quality.
Go to the site or fender.com fender.fr, listen to the sounds and go try it.