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Published on 11/07/10 at 06:50See other reviews
UTILIZATION
The configuration is fairly simple it's a Marshall so far so good, we found the sound basic marshall quite easily.
Like all Marshall booklet serves just to wipe the bottom and still I prefer my lotus triple thickness.
This gives a sound of madness rather quickly because this amp is a killer !!!!!!! his very large presence in the midrange, rich in harmonics of all I love what madness
SOUNDS
It is ideal for my style progressive rock / pop rock / brit pop / metal / funk / groove but attention is essentially a good amp for rock music after to refine the sound effects are needed. At the time I know of no amp in the world where we all styles of sound effects possible without added
The types of sounds produced are very rich and varied, over many opinions I see guys who say "this is not for the metal bla bla bla" and it's all Ben's bullshit, there is much to do metal on it then after that depends on what is known about metal is that if it is to make it Meshuggah will be a bit tight but with a good equalizer mxr kind and a good tube distortion I get to do the tool of the metallica slayer still sounds so heavy. Tell you one thing is that most metal guitarists use marshall certainly boosted a bit but it seems to me that Kerry King has been playing for 20 years on JCM 800 boosted to just over 22,666 thus far is largely the job you say.
I play it with very different guitars: gibson les paul custom natural maple 1977, Fender Stratocaster U.S. 1988 and 160 ej epiphone john lennon (qq and yes with minor adjustments it can also sound in acoustics)
Only small downside crunch sound very very quickly so equalizer by an external pedal becomes vital if one seeks a clear limpid but hey marshall is not particularly renowned for its clean sounds.
The sound that I dislike about this amp is reverb this eternal shit we used marshall for 50 years like empty aircraft hangar at Le Bourget so you just stick a good holy grail or in another and there is has something more vintage.
Attention!! is clearly an amp or must carve their own sound there's not really unusual like a jcm 800 or cons here is that there is never a huge amp has so complied with the signal a guitar is truly exceptional for that. on the other hand to ring true and that the lamps do the job you really exaggerate the volume and it can be annoying when you're in the middle of Paris in an apartment like me ... So I'm seriously considering buying a power attenuator like brake marshall
OVERALL OPINION
I use for a week is my birthday and it will stay long with me
I tried and owned a lot of amps and this one is by far the best I've had with a Fender Twin amp but hey these are two very different amps therefore not comparable.
What I like most is that while his mouth, sounds, the many opportunities it offers
What I like least is the old tape from under that ceiling with a broom handle to serve me as I play too hard, but otherwise nothing
I can not judge the value for money because I was offered but I will ask my friends if it makes them not too bad ass
UTILIZATION
The configuration is fairly simple it's a Marshall so far so good, we found the sound basic marshall quite easily.
Like all Marshall booklet serves just to wipe the bottom and still I prefer my lotus triple thickness.
This gives a sound of madness rather quickly because this amp is a killer !!!!!!! his very large presence in the midrange, rich in harmonics of all I love what madness
SOUNDS
It is ideal for my style progressive rock / pop rock / brit pop / metal / funk / groove but attention is essentially a good amp for rock music after to refine the sound effects are needed. At the time I know of no amp in the world where we all styles of sound effects possible without added
The types of sounds produced are very rich and varied, over many opinions I see guys who say "this is not for the metal bla bla bla" and it's all Ben's bullshit, there is much to do metal on it then after that depends on what is known about metal is that if it is to make it Meshuggah will be a bit tight but with a good equalizer mxr kind and a good tube distortion I get to do the tool of the metallica slayer still sounds so heavy. Tell you one thing is that most metal guitarists use marshall certainly boosted a bit but it seems to me that Kerry King has been playing for 20 years on JCM 800 boosted to just over 22,666 thus far is largely the job you say.
I play it with very different guitars: gibson les paul custom natural maple 1977, Fender Stratocaster U.S. 1988 and 160 ej epiphone john lennon (qq and yes with minor adjustments it can also sound in acoustics)
Only small downside crunch sound very very quickly so equalizer by an external pedal becomes vital if one seeks a clear limpid but hey marshall is not particularly renowned for its clean sounds.
The sound that I dislike about this amp is reverb this eternal shit we used marshall for 50 years like empty aircraft hangar at Le Bourget so you just stick a good holy grail or in another and there is has something more vintage.
Attention!! is clearly an amp or must carve their own sound there's not really unusual like a jcm 800 or cons here is that there is never a huge amp has so complied with the signal a guitar is truly exceptional for that. on the other hand to ring true and that the lamps do the job you really exaggerate the volume and it can be annoying when you're in the middle of Paris in an apartment like me ... So I'm seriously considering buying a power attenuator like brake marshall
OVERALL OPINION
I use for a week is my birthday and it will stay long with me
I tried and owned a lot of amps and this one is by far the best I've had with a Fender Twin amp but hey these are two very different amps therefore not comparable.
What I like most is that while his mouth, sounds, the many opportunities it offers
What I like least is the old tape from under that ceiling with a broom handle to serve me as I play too hard, but otherwise nothing
I can not judge the value for money because I was offered but I will ask my friends if it makes them not too bad ass