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Nigel
Published on 12/26/08 at 09:36
Ben is known about what this is all it is a 100w head, 3-channel tube.
Question the rear panel connector is really well designed with the possibility of split power of the head but also to be able to focntionner lamps in 2 different modes which also have an impact on power. So you can choose between 100w, 50w or 25w altogether knowing that it's suffered quite a bit when a few lamps in particular.
It may also affect the damping manually or auto which runs the HP wisely in focntion Inrush channel.
The head is midday and offers a solid footswitch three pods set well apart. No reverb is no bypass.
Two LEDs of the fuses control (damn good) that can realize Rapidos if there is a trick naz on that side.
Side effects loop is really great, you can choose the method / / or in series. There are two knobs that adjust the Nuveau output on channels 1 and 2 and a general boost.
Two speaker output with the full range of inpédences 4.8 or 16 ohms.
On the front you can adjust the EQ for each channel with extreme precision (perhaps too) and switch to enable each to obtain résutlats a very different system modes. For the lead we can have a contour treatment that digs the middle and a boost. For the three modes crunch can work close to a JMT45 to have a bit more bite and tear at any outright have almost a second lead. For cleanon alters the brightness and the presence of middles.
There's short right to completely or at least I think more than I ever had
UTILIZATION
Operation is extremely simple but requires a bit of time when as the sound possibilities are important, but power is a bit redundant and unless you have a powerbreack you have to play hard to be in perfect rendmeent of the beast. Inherent characteristics of all the big heads 100w.
We find very quickly a good sound "basic" and above can easily integrate its effects and have a level balance between channels.
So with a minimum amount of time we manage to tame it if it is not too demanding (like me ...), The ppotards not, as usual in Marshall, a stroke / its enormous impact on the c ' is a pity. So finally it is always in the same waters.
SOUNDS
Having long played a TSL 100, I consider it very material above the standard range in the Marshall hear. Its versatility is unexpected for a Marshall head with a particularly clear sound providing a sound basis for quality effects. No drive that goes into it to scratch even with high output.
I found the TSL a little short in distortion and it's really more convincing but not yet here for me. Playing weaker (100w mode) I get better results than before. Question crunch of its range is the largest of three channels with shades simply ... good!
Finally I played in a record time in pop-rock, prog rock with essentially a Start and Flying V and a cabinet 2x12 "celestion home-made, I was quite happy but not as happy as I would have ... believed that the "very good" in the category "average" range in terms of amp ... cheap but benefit = cons = hard to find in good condition and lourdingos transport.
OVERALL OPINION
It should be like the biensur grainMarshall and have what it takes to transbahuter crazy stuff all at arm's length but I think one of the very best minds with the signature Slash. This stuff here is the way to small purse. It is enough terrain for very different styles and respects the EQ quite well and the personality of the instrument.
Perhaps it is a good option for tight budget and amateur big head 100W which Deriche all.
Question the rear panel connector is really well designed with the possibility of split power of the head but also to be able to focntionner lamps in 2 different modes which also have an impact on power. So you can choose between 100w, 50w or 25w altogether knowing that it's suffered quite a bit when a few lamps in particular.
It may also affect the damping manually or auto which runs the HP wisely in focntion Inrush channel.
The head is midday and offers a solid footswitch three pods set well apart. No reverb is no bypass.
Two LEDs of the fuses control (damn good) that can realize Rapidos if there is a trick naz on that side.
Side effects loop is really great, you can choose the method / / or in series. There are two knobs that adjust the Nuveau output on channels 1 and 2 and a general boost.
Two speaker output with the full range of inpédences 4.8 or 16 ohms.
On the front you can adjust the EQ for each channel with extreme precision (perhaps too) and switch to enable each to obtain résutlats a very different system modes. For the lead we can have a contour treatment that digs the middle and a boost. For the three modes crunch can work close to a JMT45 to have a bit more bite and tear at any outright have almost a second lead. For cleanon alters the brightness and the presence of middles.
There's short right to completely or at least I think more than I ever had
UTILIZATION
Operation is extremely simple but requires a bit of time when as the sound possibilities are important, but power is a bit redundant and unless you have a powerbreack you have to play hard to be in perfect rendmeent of the beast. Inherent characteristics of all the big heads 100w.
We find very quickly a good sound "basic" and above can easily integrate its effects and have a level balance between channels.
So with a minimum amount of time we manage to tame it if it is not too demanding (like me ...), The ppotards not, as usual in Marshall, a stroke / its enormous impact on the c ' is a pity. So finally it is always in the same waters.
SOUNDS
Having long played a TSL 100, I consider it very material above the standard range in the Marshall hear. Its versatility is unexpected for a Marshall head with a particularly clear sound providing a sound basis for quality effects. No drive that goes into it to scratch even with high output.
I found the TSL a little short in distortion and it's really more convincing but not yet here for me. Playing weaker (100w mode) I get better results than before. Question crunch of its range is the largest of three channels with shades simply ... good!
Finally I played in a record time in pop-rock, prog rock with essentially a Start and Flying V and a cabinet 2x12 "celestion home-made, I was quite happy but not as happy as I would have ... believed that the "very good" in the category "average" range in terms of amp ... cheap but benefit = cons = hard to find in good condition and lourdingos transport.
OVERALL OPINION
It should be like the biensur grainMarshall and have what it takes to transbahuter crazy stuff all at arm's length but I think one of the very best minds with the signature Slash. This stuff here is the way to small purse. It is enough terrain for very different styles and respects the EQ quite well and the personality of the instrument.
Perhaps it is a good option for tight budget and amateur big head 100W which Deriche all.