View other reviews for this product:
john lupin
« OK! »
Published on 03/11/11 at 09:27Made Asian country.
Chavalet Tune-O-Matic.
Channel 24 Boxes (not 22 as he cried a bit everywhere on the net?), Medium frets.
Ebony.
Nut Tusq black.
Humbucker Seymour Duncan (TB4 in chavalet and Sh-1 in the heats).
Two-way adjustment rod.
Channel Maple (Hard Rock Maple), screwed.
Table flamed maple body with black net and ivory basswood body acajouen.
1 Volume, Pickup Selector 3-position.
UTILIZATION
The handle:
perfectly pleasant, very flat impeccable form (mix between a Jackson and Ibanez) not bulging at the back, in weight no worries, no heavier than a jackson so.
Ergonomics:
The tastes and colors ... the shape is perfect, better than a gibson for me, the horn of the guitar is much more aggressive being thinner and more pointed, so much thinner than the gibson guitar making "the taste of the day" to form at least if I may, of course the guitar is absolutely balanced course, so no worries to play standing (with a very slippery nylon strap if you want).
CCAA treble is simple, knowing that there is still a top, has refined its junction certainly, but still there.
SOUNDS
Sound:
I stand for the following: 27 or 28 years of metal in the fingers (guitar teacher among others),
I play on a Hughes & Kettner Switchblade 100 Combo and a rack for the Chameleon Roctron.
Course is suitable for the metal as manufactured for ..., that said the sound of this guitar there is still very special I must admit, I was very surprised at the power of TB4 (TB4 for Trembucker Many harmonics, warm midrange and treble bright, high output with sustain), very powerful so I had to ride my noise reduction (I did that with this guitar, I had Dean , ESP, Gibson, Ibanez, Jackson, Kramer, ect ... with none other then).
The sound is crystalline and very fat, the bends are extra (a lot of sustain) the gameplay is excellent (the ebony is what is beautiful thing, its always creeps) I understand why Phil Campbell never parted ...
OVERALL OPINION
For value for money:
There is nothing to say is a "real" musical instrument and more "out" from home Lag, believe me, faith is a musician's gear.
loves most, the least?
Most: the shape, balance, sound, black and ivory mesh body, especially one button (volume) and well placed.
The Minus: The sound of Sh1 which lacks presence and overlay key that is too "vintage" to my taste, but so is a signature.
I have therefore in recent months (4 or 5, as the info I Series No. 00085) I used every day in my neighborhood one has 3H (for lapping) I believe makes smoke, as you saw I play a long time and I had a lot of guitars including 3 that I kept for life, my Ibanez Jem77 collectibles, my super Jackson WRMG TBK, and .... Lag my Signature ...... Phil Campbell.
Chavalet Tune-O-Matic.
Channel 24 Boxes (not 22 as he cried a bit everywhere on the net?), Medium frets.
Ebony.
Nut Tusq black.
Humbucker Seymour Duncan (TB4 in chavalet and Sh-1 in the heats).
Two-way adjustment rod.
Channel Maple (Hard Rock Maple), screwed.
Table flamed maple body with black net and ivory basswood body acajouen.
1 Volume, Pickup Selector 3-position.
UTILIZATION
The handle:
perfectly pleasant, very flat impeccable form (mix between a Jackson and Ibanez) not bulging at the back, in weight no worries, no heavier than a jackson so.
Ergonomics:
The tastes and colors ... the shape is perfect, better than a gibson for me, the horn of the guitar is much more aggressive being thinner and more pointed, so much thinner than the gibson guitar making "the taste of the day" to form at least if I may, of course the guitar is absolutely balanced course, so no worries to play standing (with a very slippery nylon strap if you want).
CCAA treble is simple, knowing that there is still a top, has refined its junction certainly, but still there.
SOUNDS
Sound:
I stand for the following: 27 or 28 years of metal in the fingers (guitar teacher among others),
I play on a Hughes & Kettner Switchblade 100 Combo and a rack for the Chameleon Roctron.
Course is suitable for the metal as manufactured for ..., that said the sound of this guitar there is still very special I must admit, I was very surprised at the power of TB4 (TB4 for Trembucker Many harmonics, warm midrange and treble bright, high output with sustain), very powerful so I had to ride my noise reduction (I did that with this guitar, I had Dean , ESP, Gibson, Ibanez, Jackson, Kramer, ect ... with none other then).
The sound is crystalline and very fat, the bends are extra (a lot of sustain) the gameplay is excellent (the ebony is what is beautiful thing, its always creeps) I understand why Phil Campbell never parted ...
OVERALL OPINION
For value for money:
There is nothing to say is a "real" musical instrument and more "out" from home Lag, believe me, faith is a musician's gear.
loves most, the least?
Most: the shape, balance, sound, black and ivory mesh body, especially one button (volume) and well placed.
The Minus: The sound of Sh1 which lacks presence and overlay key that is too "vintage" to my taste, but so is a signature.
I have therefore in recent months (4 or 5, as the info I Series No. 00085) I used every day in my neighborhood one has 3H (for lapping) I believe makes smoke, as you saw I play a long time and I had a lot of guitars including 3 that I kept for life, my Ibanez Jem77 collectibles, my super Jackson WRMG TBK, and .... Lag my Signature ...... Phil Campbell.