Become a member
Become a member
Continuer avec Google

or
Log in
Log in
Se connecter avec Google

or
review

VSL Instruments Pro Mini-Review

Big Time VSL
Agrandir
Add this product to
  • Mon ancien matos
  • My current gear
  • Mon futur matos
VSL (Vienna Symphonic Library) Vienna Instruments Pro
Images
1/27
VSL (Vienna Symphonic Library) Vienna Instruments Pro

Vienna Symphonic Library recently presented its Vienna Instruments Pro. What is hidden behind this virtual instrument? Is it just an aesthetic update or a real evolution?

A Mini-Review: A Snap Shot

VSL Instruments Pro

 

 

 

 

VSL Instruments Pro

 

 

 

 

 

 

 

 

 

 

 

 

VSL Instruments ProVSL Instruments Pro

 

VSL Instruments Pro

 

The eight slots evident in VSL Instruments Proare very important because they allow you to stack up to eight different articulations of a single or different instruments within one single cell. For example, below you can hear cellos in sustain mode in the first slot and in tremolo mode in the second one. The first part was made in crossfade mode, the second one in additional mode (the volume of 1b was increased).

 

00:0000:00

 

 

 

VSL Instruments Pro

 

 

 

The following samples are four solo strings (1a to 4a), from violin to double-bass, playing chords and then a melody. For the first samples the Voice function is off; for the second ones it is on. The first note triggers slot 1, the second one slot 2, etc.

 

 

 

 

 

 

 

 

 

00:0000:00

 

 

 

VSL Instruments Pro

 

 

 

The instrument allows you to play legato patches in chords. In the past, to get the sound of the following sound sample (using the integrated reverb), you had to open five EXS...

 

 

 

 

 

 

 

 

 

00:0000:00

 

 

VSL Instruments Pro

 

 

 

Below, you'll find some examples of this "humanization" (before and after). I deliberately chose extreme settings to make things clearer. However, do note that the main advantage of this function is it can be very subtle.

 

 

 

 

 

 

 

00:0000:00

 

 

And here are some samples of "Stretch", before and after:

 

stretch

 

 

 

 

 

00:0000:00

 

 

 

 

 

 

Conclusion

 

It is clear that with this new version, the manufacturer sets a milestone, innovates and leaves far behind its sampler/sample player competitors — even if VIP is not multichannel (a major gap in my opinion) and it doesn't provide all the effects you can find in many virtual samplers. But honestly, integrated effects don't play such an important role considering that their quality is not nearly as good as that of dedicated effect plug-ins, and they generally increase CPU load. A well thought-out and convenient instrument is much better, which is the case here. In this matter, the improvements from VI to VIP are more than evident. On the other hand, the lack of multichannel processing forces you to open as many VI Pros as instruments you need — which is nonetheless an improvement, considering that, in prior versions, you had to open almost one sampler per articulation... And we shouldn't forget that VSL created two multichannel hosts (Vienna Ensemble and Vienna Ensemble Pro) that allow you to host as many VIPs as you need.

Award innovation

 

Vienna Instruments Pro is an incredibly powerful tool that pushes many limits for the musician and the composer. It is now extremely simple to load an instrument with all its articulations and to switch between them with endless variations, setting a new standard in the use of samples.

 

The manufacturer definitely struck a decisive blow. So much that if it were to make its program compatible with all existing formats, instead of limiting it to its own sample libraries, many samplers (and not only the worst!) could be automatically discarded. But as far as I know, they don't plan to do this at the moment, nor to offer the possibility to import samples or make the product multichannel. Working with the VIP is so simple, it is so rich in possibilities and nuances, that it is the first time that I really noticed the limitations and constraints of the Pro Edition, even though it is quite good and in spite of all my experience with EXS24 and Kontakt...

 

In short, it's once again a big success that could make many users of older versions finally move to the world of Vienna Instruments Pro, bearing in mind that they will have to change everything (ouch!)... However, it can be done gradually.

 

Pros
  • Editing power
  • Design
  • Total control of expressiveness and realism
  • Eight slots with independent settings per cell
  • Up to 144 cells per matrix
  • Polyphonic legato and portamento
  • Voice function
  • Stretch function
  • Separate outputs
  • Micro-tuning and Scala file management
  • Micro-tuning per slot
  • Excellent memory and disk management
  • MIDI learn
  • Volume curve editing with the virtual keyboard
  • Standalone version
  • 32 and 64 bits
  • Number of video tutorials on the VSL website
  • Vienna Ensemble for free
Cons
  • No MIDI multichannel
  • Stretch setting in %
  • Software functions not visible in Logic's automation
  • No possibility to use older VSL versions
  • Download and installation could be easier
  • Humanize section without on/off button

Vous souhaitez réagir à cet article ?

Log in
Become a member
cookies

We are using cookies!

Yes, Audiofanzine is using cookies. Since the last thing that we want is disturbing your diet with too much fat or too much sugar, you'll be glad to learn that we made them ourselves with fresh, organic and fair ingredients, and with a perfect nutritional balance. What this means is that the data we store in them is used to enhance your use of our website as well as improve your user experience on our pages (learn more). To configure your cookie preferences, click here.

We did not wait for a law to make us respect our members and visitors' privacy. The cookies that we use are only meant to improve your experience on our website.

Our cookies

Cookies not subject to consent

These are cookies that guarantee the proper functioning of Audiofanzine and allow its optimization. The website cannot function properly without these cookies.

Website preferences

We store your preferences so that you do not have to re-enter them every time your come back (forums options, dark or light theme, classifieds filter, standard or buzz news, newsletters popups...).

Log in

This one makes sure you don't have to re-enter your credentials every time you visit Audiofanzine.

Analytics

This data allows us to understand the use that our visitors make of our website in an attempt to improve it.

Advertising

This information allows us to show you personalized advertisements thanks to which Audiofanzine is financed. By unchecking this box you will still have advertisements but they may be less interesting :)

We did not wait for a law to make us respect our members and visitors' privacy. The cookies that we use are only meant to improve your experience on our website.

Our cookies

Cookies not subject to consent

These are cookies that guarantee the proper functioning of Audiofanzine and allow its optimization. The website cannot function properly without these cookies.

Website preferences

We store your preferences so that you do not have to re-enter them every time your come back (forums options, dark or light theme, classifieds filter, standard or buzz news, newsletters popups...).

Log in

This one makes sure you don't have to re-enter your credentials every time you visit Audiofanzine.

Analytics

This data allows us to understand the use that our visitors make of our website in an attempt to improve it.

Advertising

This information allows us to show you personalized advertisements thanks to which Audiofanzine is financed. By unchecking this box you will still have advertisements but they may be less interesting :)


You can find more details on data protection in our privacy policy.