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artze
Published on 09/04/09 at 05:14
Bank of 40GB of samples in. EWI
180 instruments and over 600 patches
Includes full version of the PMI Bosendorfer 290 of the same publisher
Works with the EastWest Play reader (included) in 32 or 64 Bit
As it is Collosus résumé with some more GB of samples and the Bosendorfer and this one rates findable infrieur Collosus alone.
Edit: So much for those who asked me some more information j'dite conclusion.
SOUND QUALITY
For me, this software is made to sound. The recording is of good quality but trs trs typical "Hollywood". Ct of the orchestra for example, exclude some musical phrases and the Stravinsky works plutt get closer to sound grandiose, hroique. So for someone looking for really "Beautiful" sound, DPIT versatility is excellent.
Furthermore, some instruments sound pretty bad but only trs marry well with other sounds of Goliath (in the case of the violins, for example, which will not replace those of a bank orchestral hardcore).
The guitars sound wonderful, all j'apprcie particulirement "double acoustic guitar" that gives an impression of space standard, the bass is trs crdibles, drums and percussion of the same.
For "Pop Brass" on the other hand is a bit lightweight. a dpanner can but do not mix too they appear.
Similarly for choirs which for me are the basis for their advertising software specially although some dfendent lot (Solo Boy for example).
Keyboards are also simpa (the Bosendorfer replacing my The Grand II without problem).
Possdant other VST specially I did not too look at the Synth but the possibility of morphing are really INTERESTED.
Sets New Age section and are also Stormdrone trs typ music "Holywodienne" but what a joy.
OVERALL OPINION
I use it for 2 months so my opinion is not and I would put DEFINITIONS can be updated.
What I like most is the diversity little of everything and really do have a compelling but rsultat typ "film music"
Play against the drive by some ncessite amliorations because it is still a bit unstable.
I tried a lot of VST and out of all sound bank. Goliath is at the top of my list in its class. It is a powerful tool box can replace other soft aisment specially in a field. For example I prfr Garritan Orchestra Personnal or Virtual Guitarist (first name) and for low I feel even more compelled to buy Trilogy.
The ratio quality price is really honest. 389 for 40 GB of various audio and trs good quality is not bad even if it would always be less CHRE
I do not regret my purchase but I look forward to updates from Play.
I do it again because this choice when I bought it exactly is that I tried, but with a bigger budget lev I took the Complete Collection, I'll do something soon.
: EDIT: APRS a little over a year of use trs Goliath is always a useful but mainly in the background.
Much remains BMOL Play every Upd resynchronister the lycence Ilok requires a full moon one day odd dune bisexctile anne ... Also I never could use Pro Tools and Cubase is not emptied every day. I'm not ready to go on my other EastWest play, the player of NI is much more stable and does not play in most of the decision-heads.
Otherwise I always find the samples of good quality but with the Complete Composers Collection Dornava Goliath I use primarily for keyboards, pop brass (by far drowned in the mix) and percussion.
The rest is a good Swiss Army knife sound used sparingly (it is?) But will color all types of songs. I ride my same note 7 becaufe that price has enriched Whereas my palette of sounds.
180 instruments and over 600 patches
Includes full version of the PMI Bosendorfer 290 of the same publisher
Works with the EastWest Play reader (included) in 32 or 64 Bit
As it is Collosus résumé with some more GB of samples and the Bosendorfer and this one rates findable infrieur Collosus alone.
Edit: So much for those who asked me some more information j'dite conclusion.
SOUND QUALITY
For me, this software is made to sound. The recording is of good quality but trs trs typical "Hollywood". Ct of the orchestra for example, exclude some musical phrases and the Stravinsky works plutt get closer to sound grandiose, hroique. So for someone looking for really "Beautiful" sound, DPIT versatility is excellent.
Furthermore, some instruments sound pretty bad but only trs marry well with other sounds of Goliath (in the case of the violins, for example, which will not replace those of a bank orchestral hardcore).
The guitars sound wonderful, all j'apprcie particulirement "double acoustic guitar" that gives an impression of space standard, the bass is trs crdibles, drums and percussion of the same.
For "Pop Brass" on the other hand is a bit lightweight. a dpanner can but do not mix too they appear.
Similarly for choirs which for me are the basis for their advertising software specially although some dfendent lot (Solo Boy for example).
Keyboards are also simpa (the Bosendorfer replacing my The Grand II without problem).
Possdant other VST specially I did not too look at the Synth but the possibility of morphing are really INTERESTED.
Sets New Age section and are also Stormdrone trs typ music "Holywodienne" but what a joy.
OVERALL OPINION
I use it for 2 months so my opinion is not and I would put DEFINITIONS can be updated.
What I like most is the diversity little of everything and really do have a compelling but rsultat typ "film music"
Play against the drive by some ncessite amliorations because it is still a bit unstable.
I tried a lot of VST and out of all sound bank. Goliath is at the top of my list in its class. It is a powerful tool box can replace other soft aisment specially in a field. For example I prfr Garritan Orchestra Personnal or Virtual Guitarist (first name) and for low I feel even more compelled to buy Trilogy.
The ratio quality price is really honest. 389 for 40 GB of various audio and trs good quality is not bad even if it would always be less CHRE
I do not regret my purchase but I look forward to updates from Play.
I do it again because this choice when I bought it exactly is that I tried, but with a bigger budget lev I took the Complete Collection, I'll do something soon.
: EDIT: APRS a little over a year of use trs Goliath is always a useful but mainly in the background.
Much remains BMOL Play every Upd resynchronister the lycence Ilok requires a full moon one day odd dune bisexctile anne ... Also I never could use Pro Tools and Cubase is not emptied every day. I'm not ready to go on my other EastWest play, the player of NI is much more stable and does not play in most of the decision-heads.
Otherwise I always find the samples of good quality but with the Complete Composers Collection Dornava Goliath I use primarily for keyboards, pop brass (by far drowned in the mix) and percussion.
The rest is a good Swiss Army knife sound used sparingly (it is?) But will color all types of songs. I ride my same note 7 becaufe that price has enriched Whereas my palette of sounds.