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Note : 2 sur 10
Published on 09/09/06 at 01:39
Installation trouble-free and trouble-free operation. It takes a big configuration:
at least ATHLON 3000 +, 3GB DDR, and especially a big hard disk of 38Go Libaire
SUITABILITY/PERFORMANCE
Trouble-free operation. It takes a big configuration:
at least ATHLON 3200 +, 3GB of DDR400 and above a large hard drive to accommodate the 38Go Libaire of a good sound card eg Audigy and of course as in every station computer music 21'avec a screen resolution of 1280x1024 mini
OVERALL OPINION
High quality samples.
The major problem and in my opinion ruins everything, when I tried this software is that it is impossible to perform the music of Baroque and Renaissance. This problem is a poor distribution of lines of desks. eg, the Sopranos are the La3 to MI5, the tenors of E2 to D4 and the Basses of Si0 in La2. The desk of Altos is the only that is a good distribution of F2 to E4.
Normally the sopranos should get at least up to C3 and C5 in mounting.
The Tenors and C1 should start up as it is in C4.
The bass should go up to F3
Besides the Sound-online forum, many people have tried to solve this problem without success. The authors of this great software now working to solve this problem is far from simple. They have so far announced auncune release date.
at least ATHLON 3000 +, 3GB DDR, and especially a big hard disk of 38Go Libaire
SUITABILITY/PERFORMANCE
Trouble-free operation. It takes a big configuration:
at least ATHLON 3200 +, 3GB of DDR400 and above a large hard drive to accommodate the 38Go Libaire of a good sound card eg Audigy and of course as in every station computer music 21'avec a screen resolution of 1280x1024 mini
OVERALL OPINION
High quality samples.
The major problem and in my opinion ruins everything, when I tried this software is that it is impossible to perform the music of Baroque and Renaissance. This problem is a poor distribution of lines of desks. eg, the Sopranos are the La3 to MI5, the tenors of E2 to D4 and the Basses of Si0 in La2. The desk of Altos is the only that is a good distribution of F2 to E4.
Normally the sopranos should get at least up to C3 and C5 in mounting.
The Tenors and C1 should start up as it is in C4.
The bass should go up to F3
Besides the Sound-online forum, many people have tried to solve this problem without success. The authors of this great software now working to solve this problem is far from simple. They have so far announced auncune release date.