Tips for producing and recording good vocal tracks?
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kevin80
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Topic Posted on 11/10/2014 at 05:32:20Tips for producing and recording good vocal tracks?
I'm not too bad of a singer, but can't seem to get the right tone while recording. Any advice (aside from super expensive gear)? I.e. an effects chain that works for you? a certain affordable mic or mic technique? Specific plug-ins that seem to do the trick?
onetakewonder
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2 Posted on 11/10/2014 at 06:42:29
So much goes into mic positioning alone that you really need to experiment. It takes a while but eventually you'll get to the point where you won't hide your vocals behind a million effects. Here's some tips I would recommend:
These aren't a cure-all solution, but if you follow these steps, and above all, EXPERIMENT, then you should be happy with your results.
These aren't a cure-all solution, but if you follow these steps, and above all, EXPERIMENT, then you should be happy with your results.
atejada420
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3 Posted on 11/11/2014 at 02:20:49
For the most part, great advice. I would warn against strictly following #5 regarding heavy compression with a 5:1 ratio...especially if this is just for recording vocals. If I EQ/compress my vocal signal that I send to my DAW, I will do so less than I really need to, as it's easy to add later and fine-tune. Starting off with an over-compressed sample makes future fixes much more difficult...
The idea with heavy compression is very dependent on the source track and its style and implied dynamics. A screaming/metal vocal won't have any problem, but a soft ballad or less dynamic vocal track will sound artificial when excessively compressed.
The idea with heavy compression is very dependent on the source track and its style and implied dynamics. A screaming/metal vocal won't have any problem, but a soft ballad or less dynamic vocal track will sound artificial when excessively compressed.
greypoupon
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4 Posted on 11/19/2014 at 00:43:00
Quote from onetakewonder:
I'd really love to see a screenshot of your compression and EQ if possible (or anyone else's vocal FX chain for that matter). Getting nice, polished sounding vocals has always been a struggle for me
joemf
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5 Posted on 02/24/2015 at 14:49:24
#1= Experiment with as many different mice as you can. I spent over 30 yrs. in TV/Radio broadcasting and my voice usually NEVER matched up quality wise, mic for mic with anyone else on staff. Others voices sounded great on a Sennheiser..mine sucked! My voice fits best on a ADK 'Vienna' believe it or not. Some others don't like it at all. So..like I say...experiment!! Good luck.
ericbailey
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6 Posted on 02/25/2015 at 02:32:29
Quote from joemf:
#1= Experiment with as many different mice as you can. I spent over 30 yrs. in TV/Radio broadcasting and my voice usually NEVER matched up quality wise, mic for mic with anyone else on staff. Others voices sounded great on a Sennheiser..mine sucked! My voice fits best on a ADK 'Vienna' believe it or not. Some others don't like it at all. So..like I say...experiment!! Good luck.
Are there certain distances/angles/positions where your mic(s) work best? And does it vary by genre for you? I feel like it's impossible to get a good sound out of my condenser without some compression :/
Mike Levine
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7 Posted on 02/25/2015 at 10:28:34
Generally, you want a vocalist right up on the mic (maybe two or three inches back) with a pop screen in between. Getting close gives you the proximity effect (unless for some reason you're using an omni mic), which makes everything sound bigger and bassier. For vocals that's almost always a good thing. If you move back too far, your voice will thin out a lot, which I doubt would sound better in most situations.
Ayodeji Owolabi
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8 Posted on 04/30/2015 at 10:37:33
thanks this forum has been really helpful
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