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bazzzoukk
Published on 06/12/10 at 04:26
Physical modeling guitar, this guitar to a new concept allows you to benefit from 16 instruments in one, and immediate access to 7 open tuning.Les sounds are excellent, and there are monsters under his fingers following the sacred: Martin 5 -17, Martin 000-28, Martin D21, Gibson J-45 Gibson SJ-200, Selmeer Maccaferi, D Angelico New Yorker, Manuel Velasquez 1958, Guild 12 string F412, Stella Auditorium 12 string, National Style 0 reso- phonic, Dobro Model 27, and finally a Gibson banjo Masterton, a mandolin, a shamisen and sitar.
The settings are accurate treble and bass, the sounds are all excellent resistance to feedback is complete.
UTILIZATION
The neck is fairly narrow but not too much, the guitar is light, well balanced access to the treble is perfect.
It is powered either by internal batteries or by a direct box provided with selection at the foot of the exit symmetrical or asymmetrical, very useful to connect an external tuner on stage.
SOUNDS
It fits all styles of music, all sounds are possible. Martin and Gibson sounds are absolutely stunning, the twelve-string impeccable. I've played on numbers of amps, and it quickly adapts to all configurations, ideal live mixer or a preamp, both with a modeler of amplis.Absolument terrain. I've even used his banjo on a record, nobody has ever doubted s nothing.
OVERALL OPINION
I used the last 5 years.
I'm playing guitar for 35 years, I have tried just about all models.
I am aware that this guitar offends the purists, that they have a false negative Aprioris their listening, meaning that they know that she s that electronic birth given the number of purists that I've been trapped by saying that listening title, I have to use a Martin or a Gibson, and neither one saw the fire, I find it amazing value for money. And what about the comfort of n that have a guitar on stage and be able to return to the level that you want without any feedback!
I would do this choice without a shadow of doubt, and I'm not about to separate from the one that became the mainstay of my guitars.
The settings are accurate treble and bass, the sounds are all excellent resistance to feedback is complete.
UTILIZATION
The neck is fairly narrow but not too much, the guitar is light, well balanced access to the treble is perfect.
It is powered either by internal batteries or by a direct box provided with selection at the foot of the exit symmetrical or asymmetrical, very useful to connect an external tuner on stage.
SOUNDS
It fits all styles of music, all sounds are possible. Martin and Gibson sounds are absolutely stunning, the twelve-string impeccable. I've played on numbers of amps, and it quickly adapts to all configurations, ideal live mixer or a preamp, both with a modeler of amplis.Absolument terrain. I've even used his banjo on a record, nobody has ever doubted s nothing.
OVERALL OPINION
I used the last 5 years.
I'm playing guitar for 35 years, I have tried just about all models.
I am aware that this guitar offends the purists, that they have a false negative Aprioris their listening, meaning that they know that she s that electronic birth given the number of purists that I've been trapped by saying that listening title, I have to use a Martin or a Gibson, and neither one saw the fire, I find it amazing value for money. And what about the comfort of n that have a guitar on stage and be able to return to the level that you want without any feedback!
I would do this choice without a shadow of doubt, and I'm not about to separate from the one that became the mainstay of my guitars.