Log in
Log in

or
Create an account

or
< All Yamaha LJX6C reviews
Add this product to
  • My former gear
  • My current gear
  • My wishlist
Yamaha LJX6C
Images
1/54
Yamaha LJX6C
Price engine
Classified Ads
Forums
Gillou de montpellier Gillou de montpellier
Published on 01/04/06 at 11:00
Home | Musical Instruments | Guitars, Basses & Amps | Guitars Folk | LJ6

LJ6


Specific Information

Carefully select the matrial and know-how of our luthiers matres combined with modern production techniques allow us to offer exceptional instruments in this price range.

New dam
All guitars SERIES L bnficient of a new dam not sculpt that promotes its broad, warm and well centered. The models 36 and 26 adopt a dam "carrquot, which allows bars to ask more prs of the rose under the table, they both RELATED back to the bars with bars of wicker covers .. A solution that supports the transmission of rsonance ropes on the whole body for a more consistent and a better feel of the game

Large selection of shapes
You prfriez a dreadnought style guitar (LL), small (LS) or shape auditorium (LJ), you're spoiled for choice! Each of these body shapes is proposed in each CATEGORY price so that you can find the guitar exactly fits your game

Pan coupbr /> The pan shot type "vnitien" facilitates Access in acute rhaussant while the beauty of these guitars.

Mcaniques
The mcaniques "vintage" The series that quipent 26 reinforce the attractiveness of Aesthetics MODELS.

Easel
The bridges of all models of the new series L are larger and denser than those of MODELS antrieurs to promote the quality of vibration. Their design a t tudi so that the soft lines and curved does not gnent guitarist.

Channel reinforced 5 parts
The sleeves 5 parts (MODL 26 and 36) are carved from a laminated block that includes 2 slices of Padauk (trs hard wood used for marimba keys) sandwiched between three slices of mahogany. A design that allows for a handle extremely stable, well suited to the game of those who prfrent low string height. The models 16 and 6 use the same principle, with rosewood instead of padauk.

It's what's on the Yamaha website

UTILIZATION

The handle is a highway, trs prcis.
Access in acute nickel up to 17 box, but it sounds not the best!!
Exceptional ergonomics, ds the grip you feel good.
The acoustic sound is wonderful, trsdfini, the spectrum is wide trs, it draws huge sound, and ds is the branch of a live sound or recording, electronics '(with two microphones, a piezo over a gooseneck ds the rosette, while the LR Baggs) faithfully reproduces the acoustic sound.

SOUNDS

I play pop and I think heads the sounds I need.
Live branch on the table, no correction brings the sound of just rglages pramplis.
you can get a lot of noise playing more or less on the rglage gooseneck microphone both prsence (volume) and position (height over the microphone cord). The legalization trs works well especially with the additional of rglage paramtrique mdiums. In short, we come to find happiness and fiddling tt cel ca not take three hours. In addition there is a phase inverter for the gooseneck microphone that is as efficient trs.

OVERALL OPINION

I use this guitar for 2 months now, I played in on a APX and although I found it a lot, I really feel like a great tool in the hands, I love playing it, it vibrates, rpond it ..... It sounds and that's it!
I had to dpart a budget of 1300 euros, I tried about thirty guitars (Takamine Tan 10c, Guild Gad 50, Lag automnia, the Ibanez, the Corts, the fenders ...) and many friends , although it is not the most CHRE is for me one that sounds the best. A guitar trying to tt those seeking a scratch electroacoustic less than 1000 euros. I would do this choice APRS two months of use without hsiter!!