They attracted me by the price of course. In the fields of monitoring speakers, you start finding things "affordable" but difficult to know what you fall. I Edirol cost of type 10A or 20A or 20D, but even a sound background color.

Here we make a rponse in frquence certainly can not parratre trs extended (50 - 20kHz), but linear trs (each speaker is also supplied with the profile Individual calibration).

Power is also largely the adquate for the "home studio" "the house" (plonasme!) With Tagus Tagus and a 75w low 35w acute ...

SOUNDS

Obviously it must be time to adjust when using for the first time of monitor speakers and these RULES n'chappent not because the sound remains relatively neutral priori, the least enough to make an acceptable mix trs trs making few mistakes after all.

But it takes only a few days of cost of other musical productions and mix several tests on his own compositions (with rcoute on systems and other hi-fi) to give then a quick id e relatively prcise the final result of a mix.

In short, it's not too bad, even if it is true that low saturated sometimes. That said, allows a precisely not to over shoot and avoid ending up with an end-booom booom Vron Vron-inaudible at an assembly line or in the lounge car. So this "default" stands as one moves on systems of increasing costs and public becomes even plutt a quality if you do not want to do too much BTIS (speakers monitoring are not made for "sound" but a neutral image dlivrer).

Is sr, we are not on the Yamaha but it is not in the same price range when same. In short, an 8 / 10 under the rappport qualitprix

OVERALL OPINION

9 / 10 on the overall opinion for my mixes sound a lot in the end, on all systems of possible cost, and it finally has the important. Sr I do not mix both instruments 50 (just an acoustic guitar, an electric, synth, bass, some drum kits, voice ...) but for this type of use is no problem and I would do the same choice.