cabana
Published on 06/17/04 at 14:22
Rackmount console, 12 mono channels, 4stéréo, 2For post 2For meadow, direct out on each mono channel, semi EQ settings on mono, 100Hz low cut, big fader 100mn
no subgroup is robust, digital output at 44.1 kHz or from the master, either to.
UTILIZATION
Very simple, clear and comprehensive manual
the pots are too close vertically
faders are great.
SOUNDS
It changes me from my DJ mixer. good signal to noise ratio. clear sound.
direct out pre doubt, it is necessary that I address the issue, to see if it's not my wiring, ca piss on the other way when a jack is connected.
OVERALL OPINION
Uses for a year, appreciates the direct outs to concerts and multidisciplinary spatialization.
In the studio, combined with a patch (Neutrik 48 points) and a dispatcher, the possibilities are endless sound creation, better than the virtual (possible re-injection) and with real buttons. A little weak in generating feedback, but a good c originally not made for that.
stereo inputs for connecting stereo sources with fixed (CD, K7, radio, vinyl (preamp to add))
value for money is very HOnet. we have a robust tool, the real fader which glides all (not like Beringher), when it was, we feel that it will last.
defects: no subgroup, I knew it by buying it, and c ca m'handicap true that a little, but I ruse. The output sample rate is set at 44.1 kHz, as a result I rarely use it. I wish I could choose the position of the (pre or post).
no subgroup is robust, digital output at 44.1 kHz or from the master, either to.
UTILIZATION
Very simple, clear and comprehensive manual
the pots are too close vertically
faders are great.
SOUNDS
It changes me from my DJ mixer. good signal to noise ratio. clear sound.
direct out pre doubt, it is necessary that I address the issue, to see if it's not my wiring, ca piss on the other way when a jack is connected.
OVERALL OPINION
Uses for a year, appreciates the direct outs to concerts and multidisciplinary spatialization.
In the studio, combined with a patch (Neutrik 48 points) and a dispatcher, the possibilities are endless sound creation, better than the virtual (possible re-injection) and with real buttons. A little weak in generating feedback, but a good c originally not made for that.
stereo inputs for connecting stereo sources with fixed (CD, K7, radio, vinyl (preamp to add))
value for money is very HOnet. we have a robust tool, the real fader which glides all (not like Beringher), when it was, we feel that it will last.
defects: no subgroup, I knew it by buying it, and c ca m'handicap true that a little, but I ruse. The output sample rate is set at 44.1 kHz, as a result I rarely use it. I wish I could choose the position of the (pre or post).