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soopalonyon 03/31/2009

M.F.B. KRAFTZWERG : soopalonyon's user review


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CHARACTERISTICS of the synth are Describes the manufacturer's website which also offers Tlcharger of ten presets giving a glimpse of possible sounds.

Some important points about its limitations: the Kraft has no internal memory (Schematic of faade tlchargeable also on site to record that would reproduce rglages as the age of stone / gold synths), it is monophonic, its audio outputs are formatted 3.5.

This synth can be used alone (without keyboard or interface CONTRL), the use will be limited but may produce cyclical movements (using the LFOs and envelopes) that could be evolve by playing DIFFERENT parameter. A lot of video on the net at their dmonstration.


No memory, so no sub-menu. Everything is accessible from the faade. It all should make the machine simple to use ... trs
Yes and no.

Ct of the rudimentary synth me some possible problem at departure. For the record, it took me a few hours before it was not enough understanding of the ADSR envelope rgler CONTRL for the behavior of sound in time, but it was also necessary to indicate the intensity of the action of the envelope of the amplifier (VCA) with the knob CV1.
Let's say it's a habit to take the faade shows the destinations of the default commands, you should be familiar with the original itineraries.

Add this cblage opportunities (which are the singularities of the machine) and everything becomes more complicated.

The manual is condensed trs. Difficult to do otherwise. The intrt the use of Kraft based on the referrals we can imagine DIFFERENT express. For this, there can be no instructions (only a few examples, evokes earlier, the manufacturer's website to give the tracks).

Moreover, following the examples of patch MFB, I realized the Ractive of rglages. In some configurations, a movement of some millimtres of a parameter may radically alter your exact.


Big favorite for the 3 oscillators. The possibilities (choice of three waveforms each, tuning, mixing) plutt are classics, but can get a nice range of sounds.

Filter question, we must be content with a simple low-pass (effectively) with about the results from soft to trs trs aggressive (associated with the rsonance).

The modulation possibilities are endless. The question is how we will use a particular sound. Example: a cblage allows for the FM, but you have to get a hold on his mlodique. It can turn quickly exprience noisy. It is also possible to inject external signals (I tried a sample in the filter with modulation of the opening like a gate effect), has opened even when a lot of perspectives. ..

I stay for the moment quite shy in using cblages (no more than a couple of times). I think it's a machine that takes time to deliver all its secrets, but I'm confident I'm still in the PERIOD Discoveries and a pleasure to make knots with his brain and to costs what happens.


I possde this synth for beginners 2009 (3 months). I am not, has not much comparable to other instruments that I use (Nord Lead 2X, Roland Alpha Juno). For a very affordable price, there is something to be surprised and have fun if you like imagining new routes and grind in consquence.