Compressor pedal with 3 compression modes.
A switch and two settings: gain and compression.
Possibility to adjust the input level depending on the instrument's electronic device (passive or active).
I own the first model without true bypass.

UTILIZATION

Configuration could not be more simple and so much the better deal because a compressor is never simple, especially in emergency live.

SOUND QUALITY

Pedal very useful to me for passive instruments:

- Provides the outline notes
- Leveling attacks
- Gives a headroom avoids pushing the amp

I use it mainly with a Fender P Bass to boost my sound on stage and clarify the attacks. In this case the pedal is pressed continuously. My preferred mode is the mode MULTICOMP (compression separate bass and treble).
Settings: noon for the gain and compression ratio (to vary the compression ratio depending on situation + or - 10 min.

Can serve as a boost for a solo in occasional use (the headroom is important).



OVERALL OPINION

I have been using about 5 years and I can say that the case is solid and reassuring effect and very effective in this price range around 100 €. Course for using more sophisticated compressors and sometimes much more expensive (DBX 160, Chandler germanium or other) it has its limits even at this level settings but is still more convenient pedal on stage unless to have a technician assigned.
Are only real fault is a significant consumption which requires connection to an external power supply.
the price / quality ratio seems very correct and I would do this choice without hesitation. Very good pedal