All user reviews for the Yamaha 01V96 V2

Hello, so we'll go as issue
yes the console is no sub rakable davoir just need the right bracket (opt)

Live on channel 12 in 16 XLR / jack (jack and insertion) 4 exclusively in jack and also no insert (shame) was 2x2rca a stereo and a stereo out in practice for the release of a pr md enrengistrer! (And another 16 track adat opt

l, equa ben of course a complete parameter will be digital without really can (even get the word kan)

ui was pretty deffet already integrate it into little patch or 4 meter lon ca c really want is a stereo output 4 ki just use this internal pr evitan the effect of looking for the effect track pr
then sorry to issue digital jvai the pass but also in short echantilonnage lautomation of very good quality I do not try lai May jmesert Cubase externally pr sycro the automation of the c word clock sail in brief

UTILIZATION

The config I did the pr me find very simple jvai back about a quote on some other article, but you know you kan use analog console dune known finding his bearings

and any simple daccès pr studio or other use but then the live pr ... made the gaffe Coner c c contagious and quickly arriving

the "manual" c conaissan yam is very very detailed but lutilistion pr "small anegdote" I lay the first use pr foix live on a mistake from my provider .... jai had this place in good old dune MH3 (Soundcraft) so we had to get by in a apremidi .... so I havent had much time to ask me the manual tell me since last vs. jmen'm paying a

SOUNDS

Prien converter really good yam is a fault gives a good even when

Indeed ... my foix its METAL too! but we will not complain hien must not ask too much c gro budgjet not either
the dynamic filter and I found it very ... corect to the shortest

OVERALL OPINION

Alor It's been a year that I can use den

jaime ... becoup of thing I Naime not: too DOPTION Limited Time Offer 4 out omni and a stereo
Manke a big thing pots OF THE SMALL TRIM (mm there shall have not been able to scan them as well???) and non-LMES gain are not stored on the scene (even huge gro default default) for the player and not tit small Chalant monsieux digital requires a certain condition consentration live because the reaction not necessarily nest imédiatement
access to effective, short track master a lot of things ...
rate practice of memoir reminds scene with very fast if you assign the 8 small button at the bottom right

rappot the price I'm sorry but the quality of pr is pr RACKE the budget tit c kan mm looks a little deconomie

with the tit back ben pr home studio really extra c: control via word clock cubase very good dynamic noise preamp and digital effects simpatike but hey ....
live in conditions of heuuu Jaimas more Coner dune 01V as I lay CETAI is not a disaster but seriously need a minimum of time I will pr sadapter plustot LS9 tjr a price of yam becoup more ergonomic and easier daccès ke Manke longer touch the screen but hey ... So we will not compare a 01V and a 5000 Diiron LS9 is short sorry jai orthograpfe a rotten but given time, and system and given the time spent on the binge we will mexcuser

For my part I fly planks installed in an "L" further comprising an Alesis 8 EQ freq x 31 in adat preamp and a Yamaha 8 channel derived from the DM 2000
this console that can rgisseurs loves (for lack of knowledge or snobbery in terms of price are the class of hardware "entry level") is made professionally. Obviously, it has a freq EQ para 4, with 4 to 8 are assigned to four SPX integrated, compressor or gate, delays on all inputs ... The bookshops are all FX and accounting is used with their paramtres original which makes it very practical for novice users and saves considerable time for the benefits of small scales. I do not blame or make comparisons with larger MODEL. It is often easy because the price of 02 as reference, DM 2000, 1 PM or 5D, Mackie TT or D8, etc., are more levs and partly explain the amliorations
However, among all the lodges that I can do this console fits a little painful in default "live", the "high pass and low pass" respectively replaced the low or high EQ and if they are applied do not allow us than using the EQ in para 3 freq.
Unlike other notices reading the doc can be useful only if it is only to discover the existence of the software yamaha "studio manager" that allows the management of 01 (among others) and view the settings on a screen larger than that of the console
I recommend this product a great value for quality prix.Pour groups running in small rooms or in home.
I use it live for the past three years to about 200 live and I've never had a problem.

UTILIZATION

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SOUNDS

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OVERALL OPINION

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- Is the rack? yes and several rack and boxes exist that are well made.
- How many lanes, bus attendant, departures, returns ...)? cf manufacturer specifications
- What is the type of connectors (RCA, Jack, XLR ...)? All
- The parametric equalizer is it? yes
- The effects section is it integrated? ... yes and the best

For digital consoles:
- What is the accuracy of the sample (bits / kHz)? cf manufacturer
- Automation is supported? yes
- What type of sync are supported? ... word clock ...

UTILIZATION

- The general configuration is it simple? This is a digital console and not analog! So in the heat of live there need to stay focused!
- The usual functions are they easily accessible? Over time yes but you have to practice regularly.
- The manual is clear and sufficient? ... As always with Yamaha

SOUNDS

- The A / D and D / A are transparent? So here we enter the heart of the matter! These converters are simply fabulous, transparent, efficient ...
- Effects and filters are effective? I suggest you test the EQ and see. It's pro ...
- The dynamics are respected? ... Everything goes together! Converters, preamps ... everything is right, clear, no breath, how do you say?

OVERALL OPINION

- How long have you use it? A year of intensive use (multiple disks made and live recordings as well)
- What is so special that you like most and least? Plus: routing with virtually limitless. The least: ergonomics really digital (menu, submenus ...)
- Have you tried many other models before buying it? N12, ONYX, ALESIS, 02R ...
- How would you rate the quality / price? After comparison with more expensive machines I do not know how they do with Yamaha to calculate their prices? It is a machine comparable to other more typical "pro". In addition it is a rock-solid. Provided it is in flight it still works. I forgot! The mLan that I brought up above (Special Yamaha FireWire card) is a monster of stability. Never a crash! What could be better?
- With experience, you do again this choice? ... I am even willing to stoop to all again.

I used the 01V96 for a week of concerts rptition and 2. Learning (I had only the analog front) plutt is simple, once having read the entire manual: I have to go back that a recovery.

Positives
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If you have time to work on rpt 'presets are an absolute must. It also aid me because I make the table of another user for two days between the RPTS and live: the return over that plug, the sound is the m me!

Points ngatifs
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The lack of memory gain.

UTILIZATION

Positives
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I apprci qualiseur of bookstores and compressors that allow a rapid rglage Premire approach, and the fact that everything is bypassing to allow to see when we have not messed up the sound .

Points ngatifs
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A dtail idiot, which I am not Russian dbarrasser: In the volume on is not directly related to the fader correspondents but it is the product of it by the volume of the slice in the Stro. It must be Designed to make the thing usable in live (sort of micro cutting violent when feedback ...) but in fact, the so Stro is a little office "Gain bis", this which does not have much intrt with a dsagrment empty: if you want to get an instrument in the Stro, increasing returns in all o is dj ... yay and feedback.

SOUNDS

Positive Point
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I apprci recording numrique without a bit of noise (my recorder numrique a record low level and even with a 25 dB derrire not blow.)

OVERALL OPINION

Great progress!

Used in theater on several receptions, it's a nice little console (despite its small 12 amp mic pre + 4entrées lines).
4 + 8 stereo effect to + 8 bus
Pros:
The size and weight
Page assignable remote (even if not new)
The 4 built-in effects (only available in 48 kHz) + the + comp + gate Eq per track
Minimum:
Without an additional port, only 4 analog outputs (in addition to the master L + R) are available.

At a time when I post this notice, this console is available on occasion at an affordable price.

UTILIZATION

In the simplest
Beoin not a manual

SOUNDS

Converters using very
proper filter and Fx

OVERALL OPINION

Used for some of welcomes me into a theater
I use it without being possessed.
Her older sister 02R96 V2 seems much better (but the price is really not the same), take notice ...

See data sheet manufacturer!

UTILIZATION

The configuration is very well thought.
Everything is provided for understanding the architecture. I had (and I still sometimes) a little trouble with the routing numrique but who am incrimination.
I have not read the manual because by walking through all the menus mthodiquement you understand everything. But I had the exprience of O2R.

SOUNDS

The converters are transparent.
The new plug-in are well incorporated and especially reverbs (including platform) much heavier than the old ones. The EQ may be a little LGERS.
Compressors are transparent (so it can also sometimes criticized) and work really well.

OVERALL OPINION

Bought a month ago for rpter and small concerts, I also used to record. I had one for years O2R with whom I got along well! I recorded a lot and mix with and I sold it because with a G5 and plugs in good quality (UAD among others) it was no longer justified. In the era I did not like the 01v that sounded bad all levels (pramplis, compressors, EQs, which did not sound). I am impressed and a little come a long way and sounds better than dsormais O2R of the era. It's a real rgal of rpter with this small console trs damn good. For just over Euro 2000 is simply INESPRE to have such a comfort.
For me the only choice now in this price range.
20/05/2011 edit. I use it now with octomic II RME gives me 8 pramplis high quality and more connected adat! I am always so happy!

To begin I would like to respond to the comment GGDPower ... The answer to your problem is very simple, in fact this is exactly the same as on an analog console and not a manufacturer wants to live, in fact, you put your aux returns for Post fader. Result when you shoot your slider to the RS, it rises in the level connections, where your feedback. For your cons Aux Effects to be (in most cases) post-fader!

Anyway regarding the console level feature everything has already been said, to note when the same input / output ADAT really nice, big sister missing on his 02R96 (and maps it cost candy).
Small negative point: no automation at this price but we will not complain!

UTILIZATION

The config is logical but if we do not control everything, you quickly get lost in the patch (with the inserts virtual plus physical inserts, etc. ...) but good basic functions are still within reach hand.
Regarding the manual, I read the diagram of the console.
In any case, it is easy to use, and extremely full! impressive.

OVERALL OPINION

I use it for exercise as part of my BTS AV, in parallel with 02R96 and the longer it goes, the more I realize it's a great console for the small project (multi-track recording, a small sound system, etc. ... ) and it's really nice for returns compared to analog!

What I like most: to safeguard the scene and the ability to prepare all the config in advance with StudioManager (free) ... that's really incredible time savings and incredibly easy ... Especially for the patch (well the grid)!

In conclusion a great little table and if I had my way I'll buy one! (More channels can be cascaded ...)