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Korg Trinity Pro
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Korg Trinity Pro

Digital Synth from Korg belonging to the Trinity series

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Anonymous
Published on 04/20/10 at 03:45
Type keyboard synth squenceur intgr 16 tracks, 512 Factory Sound ditables.
4 Audio, MIDI in / out / thru, sustain pedals and assign.
A 4-way joystick (joystick pitchbend on right / left, specifiers effects on joystick up / down), tape effects, two switches to "fix" its effects on data.
128-note polyphony, but I believe I am not sr.
The "suits" can overlay up to 16 basic sounds. For each component of the combination sounds, it RULES volume, pan, stretched over the keyboard (ie, what notes which note that the keyboard sound is "played").
Robust keyboard, touch screen, buttons and potentiomtres impeccably aligned and REFERENCES.

UTILIZATION

Never too read the manual, the Trinity is quite intuitive with a large touch screen and menus.
Saving presets on disk, so possibility of charging other banks of sounds through it.
For more precision with the latter, I use a stylus of Nintendo DS.

The edition of sounds is done via the touch screen and buttons is very clear.

SOUNDS

So we are in the heavy.
To be honest, I bought this keyboard about 15,000 francs in 96 or 97: it's still the matress pice of my (small) home studio, and I do sparer NEVER (under duress from well obviously).

The effects are good: Dlay, reverb, EQ ... and a real asset to the sounds.
Only BMOL: they are not included in the squenceur: rendering the latter is very "flat." Moreover, the edition plans of quite tedious == squenceur as I pass.

Sounds prefers: first and primarily, of very good organ (hammond type or type pipe organ - but they sound a little too even when I go electronic t, who am also a "real" organ), strings and some brass flying high.
Then come sounds good: other strings (violins, double basses, ...) and some brass instruments, plus two or three layers of atmosphere (not too likely chus electronic, me up, rather very classic ") and one or two electric guitars quite impressive (especially thanks to the effects of" feedback "led by the joystick).
Then, we treat the "average" pianos and guitars clean, fairly weak people (though the acoustic piano draws even when its hairpin of the lot).
Then finally, as with any keyboard, the disposable, sounds that once tested and on which there is no return again. Like any keyboard, there a.

OVERALL OPINION

15 years of use, 15 years of happiness blinkered. That says it all!
Particular feature I like least: no effect on the sounds in the squenceur - then we play the great sound, you say "cool I record" is recorded and ... what is meant with squenceur is almost Bontempi-like.
So keyboard live in priority.
Then, weakness, certain sounds, somewhat down compared to other brands: pianos and guitars clean, mostly.

Strengths: everything else! Robust, sound, power, polyphony, touch screen, the KORG TRINITY is perfect for a musician who wants big sound good though classical GPs.

Before the acqurir I vgt for years on other ISP and Bontempi two numbers: both say that the slap that I took the muzzle when I tried the TRINITY was monumental. So I bought the same day, I think the seller was believed that when I gave him the chque of 15,000 francs (the era).

With the exprience I remake this obvious choice.