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Francisjurdan « absolutely stunning »
Published on 06/09/12 at 08:08Micro dynamic voice
recovery but also guitar amps, snare ...
OVERALL OPINION
I use it for two weeks and have already heard a little before
I have and also uses SM58, audix OM6, prodipe TT1 ....
His most is that the sound coming out of the connection and without EQ is very nice, a hollow in the lower midrange resonance.
Powerful bass (when the voice is low and no "pope" not too much)
a sharp light and airy, no more problem of feedback with other mics mentioned.
The price is very honète (especially when you find a good vein because it is not yet distributed by here and we need to make caffe "thieves" at my Customs that require exorbitant costs of opening package (25 €) and you charge a VAT that you have already paid!
I have yet to put one on yesterday evening with five different singers that follow? the sound is good "straight" and when the singer is in place editing is a bit extreme (bass and treble "as needed or as tastes.
The audix OM6 is super cardio and if the glue is not the mouth it has nothing!
The SM 58 is the one I like least for a long time. it never sounds "right" by his feedback at once and talks by shouting very loudly.
The prodipe TT1 has a nice sound flattering (but in too low), but the strength? and feedback ...
The PR22 it takes quite large (more than the sm58 and almost as much as TT1
But without having feedback problems (no more than the SM58 or OM6) It is truly amazing.
All singers who used it loved it.
I saw one of which would keep the SM58 can be because he sang with for many years and I think these singers change their voice to eclipse knew SM. In this case we then have very little bass and treble too much into a microphone as OM6 or PR22. But this case rarely happens.
In the range HEIL is a mid-range!!
below there to the PR20
above the PR35
To test this marks the PR30 for guitar amps
recovery but also guitar amps, snare ...
OVERALL OPINION
I use it for two weeks and have already heard a little before
I have and also uses SM58, audix OM6, prodipe TT1 ....
His most is that the sound coming out of the connection and without EQ is very nice, a hollow in the lower midrange resonance.
Powerful bass (when the voice is low and no "pope" not too much)
a sharp light and airy, no more problem of feedback with other mics mentioned.
The price is very honète (especially when you find a good vein because it is not yet distributed by here and we need to make caffe "thieves" at my Customs that require exorbitant costs of opening package (25 €) and you charge a VAT that you have already paid!
I have yet to put one on yesterday evening with five different singers that follow? the sound is good "straight" and when the singer is in place editing is a bit extreme (bass and treble "as needed or as tastes.
The audix OM6 is super cardio and if the glue is not the mouth it has nothing!
The SM 58 is the one I like least for a long time. it never sounds "right" by his feedback at once and talks by shouting very loudly.
The prodipe TT1 has a nice sound flattering (but in too low), but the strength? and feedback ...
The PR22 it takes quite large (more than the sm58 and almost as much as TT1
But without having feedback problems (no more than the SM58 or OM6) It is truly amazing.
All singers who used it loved it.
I saw one of which would keep the SM58 can be because he sang with for many years and I think these singers change their voice to eclipse knew SM. In this case we then have very little bass and treble too much into a microphone as OM6 or PR22. But this case rarely happens.
In the range HEIL is a mid-range!!
below there to the PR20
above the PR35
To test this marks the PR30 for guitar amps