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nibla
Published on 04/27/05 at 07:00
Mine is not a MODEL standard because it is a signature Noel Redding, bass output only 1000 copies, and somehow the equivalent of a 65 reissue (the original bassist of low Hendrix ) because it has all CHARACTERISTICS: mcaniques reverse, sublime sunburst "era as" vintage bridge, finger rest, handle a little more round than a standard Jazz (actually a mix between run precision and Jazz). This bass was well on t dfrtte because as everyone knows, Mr. Redding did not play on fretless ...
the finish is REALLY copy, and not to shame many Amricaines ...
UTILIZATION
Channel trs enjoyable, well suited to the game astonishment fretless given its roundness
excellent ergonomics, does not sting the nose as the Japanese standard!
SOUNDS
THE fretless sound, nothing to add ...
I played on a Trace Elliot V6 with all-tube chambers 4times 10 "and 15" vintage Fender sound!
preferences for a little fat with the Tone virtually zero, and the bottom two microphones
OVERALL OPINION
Bought used for about 900 euros, it's well worth!
I tried many other models alone, mostly of jazz, and that is those that we care!
the finish is REALLY copy, and not to shame many Amricaines ...
UTILIZATION
Channel trs enjoyable, well suited to the game astonishment fretless given its roundness
excellent ergonomics, does not sting the nose as the Japanese standard!
SOUNDS
THE fretless sound, nothing to add ...
I played on a Trace Elliot V6 with all-tube chambers 4times 10 "and 15" vintage Fender sound!
preferences for a little fat with the Tone virtually zero, and the bottom two microphones
OVERALL OPINION
Bought used for about 900 euros, it's well worth!
I tried many other models alone, mostly of jazz, and that is those that we care!