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Leny Red
Published on 09/25/06 at 11:01
Everything is explained below.
Features complete enough, the pedal addition expands the possibilities.
UTILIZATION
For novice, it is sincerely foot amendments and editions of sound very easy to use drum machine built, fun to start, presets interesting, in short, is complete. 2 big problems though:
-The sound hole that every change of his cabinet, which is not very clear when in group must move quickly and without breaking from one sound to another ...
-Having to press both pedals at the same time to switch to its "neutral" guitar / amp, it's boring! (It takes a lot of training to perform this movement podo-orteillologique) ... But for someone who starts these disadvantages are as dust before the full potential of the pedal.
SOUND QUALITY
Well, I think everyone has said enough: as home to work on a 10 or 15 watts is call, as a group is squarely on the breath as shit covers ALL (and I mean ALL) silences. So except if you have a whole new group focused on traditional music from the North Pole and its winds and tough on African traditions of the driest deserts, the RP50 is to be avoided! I used it during the first months in groups, and with my peavey 100 watts was a disaster. (Have to compress, grind the sound until you get something correct ...)
Even to register is a huge flop, I even speak. Long live the pod XT live.
OVERALL OPINION
Let's say it's a beginner and equipment ONLY beginner is to get into his head! Ok, the same way he taught me, he taught at a very young guitarist the art of manipulating sounds, create their own sounds according to his desires, his composed work. This can really be instructive. But as soon as the sound of your amp is over 30 watts, it's the biggest shit music market.
Features complete enough, the pedal addition expands the possibilities.
UTILIZATION
For novice, it is sincerely foot amendments and editions of sound very easy to use drum machine built, fun to start, presets interesting, in short, is complete. 2 big problems though:
-The sound hole that every change of his cabinet, which is not very clear when in group must move quickly and without breaking from one sound to another ...
-Having to press both pedals at the same time to switch to its "neutral" guitar / amp, it's boring! (It takes a lot of training to perform this movement podo-orteillologique) ... But for someone who starts these disadvantages are as dust before the full potential of the pedal.
SOUND QUALITY
Well, I think everyone has said enough: as home to work on a 10 or 15 watts is call, as a group is squarely on the breath as shit covers ALL (and I mean ALL) silences. So except if you have a whole new group focused on traditional music from the North Pole and its winds and tough on African traditions of the driest deserts, the RP50 is to be avoided! I used it during the first months in groups, and with my peavey 100 watts was a disaster. (Have to compress, grind the sound until you get something correct ...)
Even to register is a huge flop, I even speak. Long live the pod XT live.
OVERALL OPINION
Let's say it's a beginner and equipment ONLY beginner is to get into his head! Ok, the same way he taught me, he taught at a very young guitarist the art of manipulating sounds, create their own sounds according to his desires, his composed work. This can really be instructive. But as soon as the sound of your amp is over 30 watts, it's the biggest shit music market.