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rolandh
Published on 12/14/06 at 04:51
Effects: As stated in the dj Previous opinion, this camera has a wide range of effects of a high quality. This lack may be just a harmonizer. Otherwise, it is far above some devices currently sold. The chorus is wonderful, the delay and reverb trs pure desire and settings.
Technology: being part of the quality of digital effects (really) pro, there is a lamp with an analog prampli efficient compressor and noise gate just as effective 4-band equalizer and a completely parameter. A dose even when, if pushed too far, adgrade a little sound.
Connections: trs simple two input jack (one front, the rear one), two outputs (L / R), an insertion, midi in / out / thru, in short, all the ncessaire. No XLR
UTILIZATION
For use, is something else. It is the one realizes that it's pro ... and that is not forcment height. Dj for qualizer totally Settings, it's great but changes a little of the classic "treble / middle / bass" of the standard guitar amp. But when we realized, was going. We just spend a few hours to sculpt the sound (and realize that BPS has not pass, but that's another story ...) The modulation effects are very s simple to use too. The delay has going again. But then the rverb ... especially the "big reverb," I never understood anything (I must say that I soon abandoned. In short, résumé: Easy for basic functions, but if you want to grind the bowels of the bte, it is not given to nophyte I am. As for the manual, it is not always clear trs ...
SOUND QUALITY
So it's really the foot. At least for me. It's really a matter of taste, so I'll try to be objective enough: clean sounds are excellent, the crunch bad, the traditional saturation (Marshall style), and the average gain for hi-mi-da- BLES! Clearly, if you want a machine to simulate your favorite amp, forget it. on the other hand if you like crisp, powerful saturation, worth a try. But it is clear that this device has a personality (which is a I love it!) And that has not please everyone. I personally have not found better, APRS trying a little of everything (POD xt, v-amp, PSA1, g7, JMP1 ,...)
OVERALL OPINION
I use it for many years and I never tire of it. DJ I had a lot of other devices (see above) and I always return it. For heavy distortion, I always use the disto "grunge" in the "no digital", so no effect for prserver whole dynamic and I can tell you that I dj tonn more than one. Guitarists often come ask me what I play with APRS a concert, it's a sign. Few people who know the craft. It is a little inaperu pass, probably because of his personality. It does not sound like a marshall or a mesa boogie or a peavey, ... adroute and a bit.
Technology: being part of the quality of digital effects (really) pro, there is a lamp with an analog prampli efficient compressor and noise gate just as effective 4-band equalizer and a completely parameter. A dose even when, if pushed too far, adgrade a little sound.
Connections: trs simple two input jack (one front, the rear one), two outputs (L / R), an insertion, midi in / out / thru, in short, all the ncessaire. No XLR
UTILIZATION
For use, is something else. It is the one realizes that it's pro ... and that is not forcment height. Dj for qualizer totally Settings, it's great but changes a little of the classic "treble / middle / bass" of the standard guitar amp. But when we realized, was going. We just spend a few hours to sculpt the sound (and realize that BPS has not pass, but that's another story ...) The modulation effects are very s simple to use too. The delay has going again. But then the rverb ... especially the "big reverb," I never understood anything (I must say that I soon abandoned. In short, résumé: Easy for basic functions, but if you want to grind the bowels of the bte, it is not given to nophyte I am. As for the manual, it is not always clear trs ...
SOUND QUALITY
So it's really the foot. At least for me. It's really a matter of taste, so I'll try to be objective enough: clean sounds are excellent, the crunch bad, the traditional saturation (Marshall style), and the average gain for hi-mi-da- BLES! Clearly, if you want a machine to simulate your favorite amp, forget it. on the other hand if you like crisp, powerful saturation, worth a try. But it is clear that this device has a personality (which is a I love it!) And that has not please everyone. I personally have not found better, APRS trying a little of everything (POD xt, v-amp, PSA1, g7, JMP1 ,...)
OVERALL OPINION
I use it for many years and I never tire of it. DJ I had a lot of other devices (see above) and I always return it. For heavy distortion, I always use the disto "grunge" in the "no digital", so no effect for prserver whole dynamic and I can tell you that I dj tonn more than one. Guitarists often come ask me what I play with APRS a concert, it's a sign. Few people who know the craft. It is a little inaperu pass, probably because of his personality. It does not sound like a marshall or a mesa boogie or a peavey, ... adroute and a bit.