Behringer B-2 - Anonyme's review
translatedSame! OVERALL OPINION I also possde a C414 that is more appropriate but sometimes prcis least some lment (voice, sax, piano) This dpend really. His record is certainly perfectible but I think it'…
RODE NT5 - Joseph sardin's review
translatedIt is a static OVERALL OPINION I've had two years. It is a very practical micro, trs discreet. It is not suited for recording against the outside. Despite the windscreen, the microphone picks up …
Prodipe Microphone A1 Duo - mrfoi's review
translatedMicro-making of its versatile, I use it primarily to make the sound of my battery with no other micro elsewhere (except in a micro rotten crossroads in my bass drum with the bass all the way to the e…
The T.bone SCT2000 - ycha's review
translatedI am the happy owner of a 2000 T-Bone SCT last few months that I use mainly for guitar and voice. It is a micro nice but it seems to me that the technicians who STRID Describes highest performance ha…
Behringer C-2 - korghull's review
translatedSolid and well built, made suitable for its approach on scne (I even used to transplant the training blues guitar amps, if you stay reasonable on the volume of the amplifier and distance (30-50 cm) i…
Behringer B-5 - korghull's review
translatedTo beginners, they'll parraissaient extremely strong, but the capsule of one of my cardio 2 B-5 lchement lach me APRS 6 months of intensive use (on average two gigs a week ) OVERALL OPINION APRS …
Audio-Technica PRO 37 - llados's review
translatedCardioid condenser microphone. Micro overhead or room miking drums, guitar, piano, ... OVERALL OPINION I only used once. For a demo, taking ambient battery in a small room. This is a good microph…
The T.bone EM 900 - mup's review
translatedIt is a small electret microphone to paper INTERESTED CHARACTERISTICS (curve not too steep for the price) if not the max spl 115 db limit. OVERALL OPINION I had bought for pumping phantom circuit…
Audio-Technica AT4033 - Dom Brunet's review
translatedI just did a little test between ATM11 AT4033 and (v 1.5 release in 1982!) Well I would say more so than standard breath, in terms of made it very very close! It is true that the ATM11 is a exe…
sE Electronics sE2200A - delange's review
translatedMicro versatile, presumably for the song but also works on the recovery of acoustic instruments (guitar or cello, for example) and in an atmosphere of recovery battery or amp (at a reasonable distanc…
sE Electronics sE3 - muzikal's review
translatedMicro-type "pencil" static technology. Characteristics according to the manufacturer: "Based on this micro micro SE1et SE2 proposes a low-cut filter and pad attenuation-10dB, with a body and an elect…
Audio-Technica AT3035 - l'electron libre's review
translatedCardioid electret condenser microphone Primary use: making male and female voices + guitar and small percussion instruments ... OVERALL OPINION That's 8 months now ... enough to be a good idea …
The T.bone SCT800 - yundo's review
translatedMicro lamp style elam 251 OVERALL OPINION I have been using the one donkey After a few improvements. J've just changed the lamp to a 6072nos. the result silent sound with less than a saturation…
The T.bone SCT2000 - theonlymagicalpig's review
translatedLarge diaphragm microphone lamp. rponse in frquence: 20Hz - 20,000 Hz, multi-directional: omni, cardioid, figure 8 and directivity intermdiaires Max SPL: 130 dB Comes with a carrying case, su…
