Effects and simulations have been described for suffisement state here. Nevertheless, the effects part is not the most developed compared with the competition. Simulations are quite realistic.
Recently, there is a standalone interface, which allows not to have ProTool edit programs. This is a positive point from before.
The connectors are legion and allow all (or almost!) Interface type.

UTILIZATION

Usage is very intuitive. Editing sounds and their order of sequence in the loop is a plus. The manual has helped me to wedge a piece of furniture, the handling is simple.

SOUND QUALITY

Simulations are very good bills. I would describe the effects of "standard" in terms of simulations. Point of attention: the gate is awesome! Cad, effective for interferences of any kind (item +) but "too" effective when playing with the volume knob ... I'm not talking about the game with a volume pedal!
Otherwise, at concerts or rehearsals, single-use volumes differentiated XLR outputs to the table and amp outputs allow a rapid equilibrium of its PA / amp

I mainly use a lag of 1991 bespoke (I'm left handed ...) and Gibson LP.

OVERALL OPINION

after 6 months of heavy use, the overall picture is very positive. I was previously a LINE6 X3 and (for me) is without comparison the call for the Eleven.

The +:
Simulations
The overall ergonomics
Connectivity
The price / quality ratio
ProTool provided

The -:
Too bland standard view effects (matter of taste?)


In this price range, I do it again the same choice.