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gtbass38
Published on 01/26/09 at 12:42
- What are the effects or types of effects available?
u no fuzz distortion limits, researchers crunch, go your way
- Volume one (out)
- One in which defines the size of the distortion
- A tone, very effective
- knob a small presence that gives more or less aggressive in the treble
- Another resonance that acts on the thickness of the sound, thorough, full and mini bass sound close to the hp of a phone!
- A switch super nice, no click, detail, but surprising.
- What technology is used? (Analog, digital, tube ...)
analog
- Are they edited? Via an editor Mac / PC?
not
- What is the connection? (Audio / MIDI)
audio
UTILIZATION
- The general configuration is it simple?
yes but the panel is so large that it takes time to find happiness
- Publishing of sound effects or is it easy?
very
- The manual is clear and sufficient? ...
not need
SOUND QUALITY
If one seeks a versatile fuzz type distortion is a very good choice, nothing to envy to XXL plus much more expanded opportunities, being able to control the size of cradifier at will or otherwise make good specifies the saturation, acting on its frequency with two small pots, frankly, that's the ball.
I use a les paul goddess (the gibson designed for girls, a small bomb) and precision for low (because I alternate bass and guitar on stage, all in a big HIWATT
200 Custommer bass), and so I was looking for a distortion that can keep down the frequencies for low precisely (previously, only the big muff electro harmonix version Sovtek satisfy me but it was too vague) while being effective guitar, I was interviewed by the Providence ...
OVERALL OPINION
I use it for very long, certainly, it's been a year since I also eyeing the Atlantic, I discovered the black box of the guitarist, a report by Dunlop, I flashed on.
this will be the most versatile, usually a little fuzz a parameter, and then it's not a fuzz, a lot of possibilities, the least: I wish the minimum knob "in" or even less saturated, they still attack directly into the large distortion.
I am a power user of the distortion, the crunch in bold Kyuss so dirty, so the driver to the blues through SansAmp XXL, procorat, big muff, expandora, voodoo bass and so on.
quality / price: € 179 in playback, nothing to say ..
yes I would do this choice
u no fuzz distortion limits, researchers crunch, go your way
- Volume one (out)
- One in which defines the size of the distortion
- A tone, very effective
- knob a small presence that gives more or less aggressive in the treble
- Another resonance that acts on the thickness of the sound, thorough, full and mini bass sound close to the hp of a phone!
- A switch super nice, no click, detail, but surprising.
- What technology is used? (Analog, digital, tube ...)
analog
- Are they edited? Via an editor Mac / PC?
not
- What is the connection? (Audio / MIDI)
audio
UTILIZATION
- The general configuration is it simple?
yes but the panel is so large that it takes time to find happiness
- Publishing of sound effects or is it easy?
very
- The manual is clear and sufficient? ...
not need
SOUND QUALITY
If one seeks a versatile fuzz type distortion is a very good choice, nothing to envy to XXL plus much more expanded opportunities, being able to control the size of cradifier at will or otherwise make good specifies the saturation, acting on its frequency with two small pots, frankly, that's the ball.
I use a les paul goddess (the gibson designed for girls, a small bomb) and precision for low (because I alternate bass and guitar on stage, all in a big HIWATT
200 Custommer bass), and so I was looking for a distortion that can keep down the frequencies for low precisely (previously, only the big muff electro harmonix version Sovtek satisfy me but it was too vague) while being effective guitar, I was interviewed by the Providence ...
OVERALL OPINION
I use it for very long, certainly, it's been a year since I also eyeing the Atlantic, I discovered the black box of the guitarist, a report by Dunlop, I flashed on.
this will be the most versatile, usually a little fuzz a parameter, and then it's not a fuzz, a lot of possibilities, the least: I wish the minimum knob "in" or even less saturated, they still attack directly into the large distortion.
I am a power user of the distortion, the crunch in bold Kyuss so dirty, so the driver to the blues through SansAmp XXL, procorat, big muff, expandora, voodoo bass and so on.
quality / price: € 179 in playback, nothing to say ..
yes I would do this choice