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Line 6 Verbzilla
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Eяяаtom Eяяаtom
Published on 03/23/09 at 11:05
PDAL of reverbration Stereo, numrique technology. Look the image of the brand clbre modlisation: modern, imposing and half plasticized.

<span style="text-decoration: underline;">4 rglages:</span>
_Mix: Determines the effect level in the signal. In some ways the end position of knob acts as a "boost" the effect of reverb and passes the incoming signal.

_Decay: Sets the decay time of reverbration to silence. Feedback on what.

_TIME: Determines the delay time of 10ms 200 ms. dcalage the cheeks between the notes and rsonance of reverb. In some ways, time has rgl background, a delay occurs on the attack of the notes, I find no evil.

_Tone: Adjusts the tonality of rverbration. On a bright but dark rverbe rglage is relatively thin.

Trails Switch + 1 - Turn it on to leave the treatment of Verbzilla end and keep the fall and "trail" of rverb when you turn off the effect.

2 inputs, 2 outputs.

<span style="text-decoration: underline;">11 reverb modes:</span>
Spring '63 - Fender Rverb spring of 1963. rtro so.

Spring - Rverb spring.

Plate - Rverb plate. Prscdente porch.

Room - Simulates the Rverbration a bedroom (pice) of cho classic

Chamber - Rverbration produced in an elongated like a hallway, a stairwell or elevator shaft.

Hall - Simulates the sound into a concert hall or a large area producing a significant drop rverbration: a gymnasium, an auditorium or cathedral.

Ducking - Rverbration "Hall" but attnuation. The volume is rverbration attnu ("ducked") as you play and increases when you arrtez.

Octo - Cre a rverbration important to add that an approaching cloud of harmonics of the pitch shifter effect or even a synth. Modlise effect Shimmer Te Edge.

Cave - Rverbration cavernous Irrel. Variant of the Hall.

Tile - Emulates the acoustic rflexions a pice TILED as a bathroom with separate primary rflexions clearer and brighter.

Echo - As the name implies, a short time: echo effect.

Line6 site ( https://line6.com/tonecore/verbzilla.html ) (manual, sounds & specifications)

UTILIZATION

Setup is simple. Quibble with the button "mode" o it is sometimes difficult to discern the effect of more select patterns are written so small ...
The mix allows rglage limit the effect to pass before the signal dry, cool
I have no problem buzz unlike what can be heard on the whims of the ToneCore. Yet I use it via a string line feeding effects <span style="text-decoration: underline;">and</span> effects loop. Phew function.

SOUND QUALITY

Numrique technology captures the effects of service dimensions: your exact and trs is clean
. It is obvious that it's modlisation and therefore consquent say vintage sounds REALLY not sound as such. I find it that there is sometimes a lack of Difference between the sound modes on offer.
Not so warm and organic, but the East rverbe "digital".
The use Stereo is a big plus.
Video Test ( http://fr.youtube.com/watch?v=IRQ9U1abhd8 )

Schecter Tempest useful in SH-1 on H & K.

OVERALL OPINION

Personally I use it for small rverbe trs, the "Tile" is also given as a color INTERESTED particulire the size of the rverbration, and for r verbs deep and spacious "Hall" & "Cave".
This is my PDAL Premire of rverbe, I can not compare too much from the competition: essentially the Boss RV-5 or RV-3, and DigiTech HardWire the rcemment.
comparative link in English ( http://acapella.harmony-central.com/forums/showthread.php?t=1957029&highlight=Verbzilla )

Behringer has made a clone cotrduit: Reverb Machine RV600.
the -
. the saturated signal at times so the effect level is pushed up.
. many ways but a lot of similarities.
. small rverbe including the so-called vintage little crdible
the +
. a well PDAL Settings, a wide range of rglage, the rverbe in sailing you want. The small echo reverb cave
. all quip: 11 modes, a switch Trails, the Stereo, the original modes (Octo, Ducking ...)