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DiMarzio DP191 Air Classic Bridge
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DiMarzio DP191 Air Classic Bridge
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Riffko Riffko
Published on 09/17/07 at 05:13
In this micro dpart silent fate be mounted on a team of Japanese Start Floyd Rose. I finally changed my mind by installing it on an Ibanez RT650 team her, a Wilkinson vibrato. I associated this microphone a DP 190 in the neck position and HS2 center position.
The configuration of this set is almost perfect since the microphone output level is relatively well equilibrated. I did not split the microphone to keep a central output level homogne with the other two. (206mV, 90 mV and 226 mV).

Sound:

On the clean channel, this airbucker dlivre trs own sound, almost got me too. Many dive a bit tide, few prsence despite the lamps.
By the canal against a saturated gouache max. It is far from a Dirty Finger or Pearly Gates, but who takes the trouble to hack his rglages, the fact really. The sound is incredibly clean even with a strong dose of saturation. Harmonic whistle on their own and sustain endless so stay more than MODR on the use of reverb.
For shreders of all kinds and other furious six string players, it's fun carrment. Everything passes, sweep, lgato, tapping, each note rings clearly, what the top.
However, with careful management of the effects because, as rightly stated by the manufacturer, "this microphone picks up every nuance of your game." In other words, if you play rough, you will unfortunately with the sound.

Conclusion:

Trs good microphone, however, does not break down enough in the clear. I think it express its quintessence of a good scraper handle al trs see half a body. As you can see, a good violin is likely to make a difference.
As against saturation, say nothing, except that it must be
motivate play application.
Bought 75 euros for our cousins, the report qualitprix is ​​fairly good. J'enlve a point for the clear sound that sounds may be a little too jazz, at least on my guitar.