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Adamante
Published on 09/30/07 at 12:57
One of my favorite microphones serious ...
The SH1 '59 model is one of the microphones of references in the Seymour Duncan SH4 with the SH6, and SH2. And for good reason, its CHARACTERISTICS sound really INTERESTED in a trs many configurations of wood, and musical styles Varis trs.
Its particular feature is its large range and roundness of tone "twenty years of age" ... A big bump in the low mdiums, loud enough mdiums Cruss and treble Submitted still well, although still quite soft. If one wishes to have a serious sound reproduction micro flatter, with bas mdiums less round, you must opt for the SH2 Jazz Model, absolutely excellent all points of view as well.
For my part, I use a Music Man Silhouette 1991 (with two doubles and the coupled as an SH4 SH1): alder body, neck and affects Rabl. The guitar sound takes CHARACTERISTICS therefore a typical superstrate: an acoustic sound with little mdiums low, high and mdiums Submitted lgrement round and treble trs many drawings. I think it works terribly well on a guitar of this type, because a Relva effective and musical with the lack of low mdiums the guitar (induced by the combination of wood), and softens mdiums and treble by giving them a warmth he might not have a microphone more aggressive in the upper spectrum. Thus, it seems to me perfectly fulfills the rle of a microphone on a guitar severe type superstrate.
In his clear position serious (I only speak of it the way) is trs East jazz (as many good mics for that matter!), And coupled with SH4, the sound is really beautiful and trs INTERESTED (see why DIFFERENT articles: on the SH4, and the Aude Arnaud Qurey Junior, even if it comes up with an SH2 (the microphones are fairly similar all of the same). In saturation, we obtain a sound with a lot of grain, color "old" (but so much contemporary) and rich.
Concerning the other major pan sound of our culture of sound, the guitar "type Gibson Les Paul" (mahogany body, table stocky, round Saddle or mahogany, and rosewood fingerboard and bne: dj has a lot of diffrence between these sound combinations), I think, even if I REALLY did not practice on such a guitar, this mic will provide a sound of a round worthy of a true PAF: low mdium vramient opulent and rich in harmonics, because of high mdiums soft enough creuss Submitted and treble just right, but not too to get a sound with a lot of curves throughout the race, without it becoming REALLY aggressive. It is clear that on a guitar of this type, you must have a desire to rev its round and fat, because otherwise, we can be of (or to dcevoir self-same, because this is my opinion dception because the lack of questioning of the person who acquires such a microphone, plutt caused by the microphone itself) ...
For cons, I do not think it is "banish" a musical style in particular: a microphone, is a RULES (including overall height, to gain, and the height of the studs screws, rglage for finesse), and most importantly, that it lacks treble imply that we know well rglages and the sound of the amp on which it is played (a rglage V of the four would indeed be devastating with such a microphone!). (If you want to know more about my amp, read my article on my head ENGL Savage SE: I give my rglages, which are simplicimes.) Personally, I play in a register mtal progressive and SH1 wonder what should I look at her.
Résumé to: a micro gnial who wants to have a round, warm position serious. Should any guitar with a spectrum homogne. It either Start or Les Paul type, as the spectrum is flat, it's all good. An excellent microphone that for this reason, the RSID Panthon electric guitar pickups.
You can visit the following website: www.myspace.com / ultimategear ( http://www.myspace.com/ultimategear ) . You will find many things on the violin and thunderous guitars.
The SH1 '59 model is one of the microphones of references in the Seymour Duncan SH4 with the SH6, and SH2. And for good reason, its CHARACTERISTICS sound really INTERESTED in a trs many configurations of wood, and musical styles Varis trs.
Its particular feature is its large range and roundness of tone "twenty years of age" ... A big bump in the low mdiums, loud enough mdiums Cruss and treble Submitted still well, although still quite soft. If one wishes to have a serious sound reproduction micro flatter, with bas mdiums less round, you must opt for the SH2 Jazz Model, absolutely excellent all points of view as well.
For my part, I use a Music Man Silhouette 1991 (with two doubles and the coupled as an SH4 SH1): alder body, neck and affects Rabl. The guitar sound takes CHARACTERISTICS therefore a typical superstrate: an acoustic sound with little mdiums low, high and mdiums Submitted lgrement round and treble trs many drawings. I think it works terribly well on a guitar of this type, because a Relva effective and musical with the lack of low mdiums the guitar (induced by the combination of wood), and softens mdiums and treble by giving them a warmth he might not have a microphone more aggressive in the upper spectrum. Thus, it seems to me perfectly fulfills the rle of a microphone on a guitar severe type superstrate.
In his clear position serious (I only speak of it the way) is trs East jazz (as many good mics for that matter!), And coupled with SH4, the sound is really beautiful and trs INTERESTED (see why DIFFERENT articles: on the SH4, and the Aude Arnaud Qurey Junior, even if it comes up with an SH2 (the microphones are fairly similar all of the same). In saturation, we obtain a sound with a lot of grain, color "old" (but so much contemporary) and rich.
Concerning the other major pan sound of our culture of sound, the guitar "type Gibson Les Paul" (mahogany body, table stocky, round Saddle or mahogany, and rosewood fingerboard and bne: dj has a lot of diffrence between these sound combinations), I think, even if I REALLY did not practice on such a guitar, this mic will provide a sound of a round worthy of a true PAF: low mdium vramient opulent and rich in harmonics, because of high mdiums soft enough creuss Submitted and treble just right, but not too to get a sound with a lot of curves throughout the race, without it becoming REALLY aggressive. It is clear that on a guitar of this type, you must have a desire to rev its round and fat, because otherwise, we can be of (or to dcevoir self-same, because this is my opinion dception because the lack of questioning of the person who acquires such a microphone, plutt caused by the microphone itself) ...
For cons, I do not think it is "banish" a musical style in particular: a microphone, is a RULES (including overall height, to gain, and the height of the studs screws, rglage for finesse), and most importantly, that it lacks treble imply that we know well rglages and the sound of the amp on which it is played (a rglage V of the four would indeed be devastating with such a microphone!). (If you want to know more about my amp, read my article on my head ENGL Savage SE: I give my rglages, which are simplicimes.) Personally, I play in a register mtal progressive and SH1 wonder what should I look at her.
Résumé to: a micro gnial who wants to have a round, warm position serious. Should any guitar with a spectrum homogne. It either Start or Les Paul type, as the spectrum is flat, it's all good. An excellent microphone that for this reason, the RSID Panthon electric guitar pickups.
You can visit the following website: www.myspace.com / ultimategear ( http://www.myspace.com/ultimategear ) . You will find many things on the violin and thunderous guitars.