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nonostrat
Published on 09/24/09 at 12:33
It is a condenser microphone versatile enough to use (voice, acoustic instrument recovery, ...)
OVERALL OPINION
I use it for about 3 months. I wanted a long condenser microphone for recording in home studio and I came across a good promo (in Playback to not mention) so I took it.
I have not compared to other condenser microphones and microphone is my first of this kind so I can not compare. I can only say that having a dynamic microphone AKG and Shure SM58 is really much better at recording but Fidler said micro attention trs said static sensitive so anything that moves away s 'entendrelors the sound.
May be that Tbone is 60 euros as well, I do not know, I have not tried. All fawns I have AKG prfre that Tbone on the mic, it's psychological!
What I like most is the quality of micro peru, I knew the dj srieux AKG brand and it is not in the manufacturing aa Air trssrieux, the microphone is heavy (400g may be), book in his briefcase with the suspension: quite trs trs pro class. Be careful to have a walk that takes the road, the microphone is heavy (well not to take up a perch 15 euros What crap!).
At the sound, I'm no expert but it's the same day and night with a type SM58 dynamic microphone: means all the nuances of voice (taking vocals) and all frequencies and harmonics without have the effect of proximity and plosive that is often a dynamic microphone. TRS is also well to record an acoustic guitar without the neighboring micro al guitar.
I also use it to take over the electric guitar in the plaant about 60 cm in front of the amp (Peavey Delta Blues), is your exact trs Fidler (Obviously you have to think off a rverb little on the amp to compensate for the pice of reverb.
In short I am satisfied with this micro trs me cot little more than a dynamic mic and I do not regret that choice. I advise those who, like me, wants to have a quality microphone versatile enough.
OVERALL OPINION
I use it for about 3 months. I wanted a long condenser microphone for recording in home studio and I came across a good promo (in Playback to not mention) so I took it.
I have not compared to other condenser microphones and microphone is my first of this kind so I can not compare. I can only say that having a dynamic microphone AKG and Shure SM58 is really much better at recording but Fidler said micro attention trs said static sensitive so anything that moves away s 'entendrelors the sound.
May be that Tbone is 60 euros as well, I do not know, I have not tried. All fawns I have AKG prfre that Tbone on the mic, it's psychological!
What I like most is the quality of micro peru, I knew the dj srieux AKG brand and it is not in the manufacturing aa Air trssrieux, the microphone is heavy (400g may be), book in his briefcase with the suspension: quite trs trs pro class. Be careful to have a walk that takes the road, the microphone is heavy (well not to take up a perch 15 euros What crap!).
At the sound, I'm no expert but it's the same day and night with a type SM58 dynamic microphone: means all the nuances of voice (taking vocals) and all frequencies and harmonics without have the effect of proximity and plosive that is often a dynamic microphone. TRS is also well to record an acoustic guitar without the neighboring micro al guitar.
I also use it to take over the electric guitar in the plaant about 60 cm in front of the amp (Peavey Delta Blues), is your exact trs Fidler (Obviously you have to think off a rverb little on the amp to compensate for the pice of reverb.
In short I am satisfied with this micro trs me cot little more than a dynamic mic and I do not regret that choice. I advise those who, like me, wants to have a quality microphone versatile enough.