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Paul Arbert
Published on 03/20/08 at 16:12
Let me be clear, I have no reason to give my opinion about these famous NS-10M ... except that it irritates the hair to see anything and everything here and so many people in one direction s'acharner the other to defend or get the equipment ...
...
So finally, as I am a player, I (you) tell me too what I think ...
I owned a pair of NS-10 between 1997 and 2002. five (long) years I worked as an assistant also studio pro, I give you a mile, they were obviously present ...
to progress and not to die stupid, but for me to play "pro", so I offered a pair with the amplifier suitable for my home where I did nothing but compose.
All day long I therefore NS-10M in the leaves. compared with the time course with the big Genelec and Tannoy embedded in the studio, they were itty bitty ... at any point of view. I'm not saying they were bad, no, but it is clear that it did not sound. and like everyone else I'm used to (sure?) and it was normal as was lowest in the end if it sounds the above, it will ring everywhere else ...
Yes ... but! if it sounds on Genelec and we know that the master sound equally well elsewhere, too!
I think, and I remain convinced that for once, everything is a matter of habit. my personal mixes sounded not too bad with me on my NS-10M, and sounded just as well in the car of my neighbor. when I am separated to buy powered speakers (I'm shy, I took over with MSP5 ...) I was a confused time. finally after heavy use, my mixes sounded good on MSP5 and just as well on the clock radio in my neighbor ...
Today I work on HS80 and ... I'll let you write more.
in short, yes it is bad speaker in the sense of the term flattering, I mean, obviously, compared to listening to the same song will sound more "powerful", punchy, heavy on my HS80 on the NS- 10M ... like the same song will sound "better" on JBL to 1900 euro each on the headphones of your iPod ... but uh ... is not it just normal?
rebref, these speakers are in my view no mythical or necessary, and pay the price they are now is pure bullshit. it is the snobbery of home-studio owners frustrated. unless you nab a pair of 150 euro, I do not see the point now in 2008. competition, even within the Yamaha is well above qualitatively for much cheaper. Other brands also offer the very good cam. but damn 500 euro a pair of tweeters opportunity for MIDI, let alone one must add the amp and it is better not to add such a shit Samson or Alesis or ass, it's getting super expensive for a "standard "which was a fad.
In conclusion, it is not bad speakers, just that they are "outdated" and over-rated. the vintage look is not valid for everything related to home studio and music in general ...
SOUNDS
-
OVERALL OPINION
I give 5 all over 10. an opinion, mine, which is only my opinion. without trying to revive a controversy that speaks very well alone. but as a former owner of the material I "had" to say what I think.
up to you to sort out ... and buy knowledge.
...
So finally, as I am a player, I (you) tell me too what I think ...
I owned a pair of NS-10 between 1997 and 2002. five (long) years I worked as an assistant also studio pro, I give you a mile, they were obviously present ...
to progress and not to die stupid, but for me to play "pro", so I offered a pair with the amplifier suitable for my home where I did nothing but compose.
All day long I therefore NS-10M in the leaves. compared with the time course with the big Genelec and Tannoy embedded in the studio, they were itty bitty ... at any point of view. I'm not saying they were bad, no, but it is clear that it did not sound. and like everyone else I'm used to (sure?) and it was normal as was lowest in the end if it sounds the above, it will ring everywhere else ...
Yes ... but! if it sounds on Genelec and we know that the master sound equally well elsewhere, too!
I think, and I remain convinced that for once, everything is a matter of habit. my personal mixes sounded not too bad with me on my NS-10M, and sounded just as well in the car of my neighbor. when I am separated to buy powered speakers (I'm shy, I took over with MSP5 ...) I was a confused time. finally after heavy use, my mixes sounded good on MSP5 and just as well on the clock radio in my neighbor ...
Today I work on HS80 and ... I'll let you write more.
in short, yes it is bad speaker in the sense of the term flattering, I mean, obviously, compared to listening to the same song will sound more "powerful", punchy, heavy on my HS80 on the NS- 10M ... like the same song will sound "better" on JBL to 1900 euro each on the headphones of your iPod ... but uh ... is not it just normal?
rebref, these speakers are in my view no mythical or necessary, and pay the price they are now is pure bullshit. it is the snobbery of home-studio owners frustrated. unless you nab a pair of 150 euro, I do not see the point now in 2008. competition, even within the Yamaha is well above qualitatively for much cheaper. Other brands also offer the very good cam. but damn 500 euro a pair of tweeters opportunity for MIDI, let alone one must add the amp and it is better not to add such a shit Samson or Alesis or ass, it's getting super expensive for a "standard "which was a fad.
In conclusion, it is not bad speakers, just that they are "outdated" and over-rated. the vintage look is not valid for everything related to home studio and music in general ...
SOUNDS
-
OVERALL OPINION
I give 5 all over 10. an opinion, mine, which is only my opinion. without trying to revive a controversy that speaks very well alone. but as a former owner of the material I "had" to say what I think.
up to you to sort out ... and buy knowledge.