IK Multimedia was one of the pioneers in guitar amp simulation software with their famous Amplitube launched in 2002. The Italian company comes back eight years later with the third version of their flagship product. And what's new you ask?
Amp simulation software manufacturers have been fighting their battle over the last eight years offering more models, new GUIs, new algorithms, and new functionalities. The advantages of amp simulation software are plenty (direct recording, reamping, huge sound possibilities, etc.) and a lot of guitar players and home studio owners already have one of them or are seriously think about getting one. So, what are the advantages of this new Amplitube over its competitors? We’ll try to answer that question in this detailed review…
No Need to Go Out Anymore
Once you download the product, the installation under Mac and Windows goes very smoothly and the GUI is displayed after only a few seconds. The first step is the software configuration: set up the audio and MIDI interface you want to use and the buffer size, which will have a direct influence on Amplitube’s latency. With a small buffer size (256 samples or less) the latency, i.e. the time gap between the moment the signal goes into your sound card and the moment you actually hear it through your monitor speakers, will be pretty low or even imperceptible. However, your computer will have to stand a very high processing load and some artifacts might appear if it doesn’t have enough CPU power. You’ll have to find the right setting depending on your system. Once the configuration is made, you are ready to concentrate on the GUI…
A Look Through the Window
The software works with three quality modes: hi, mid and eco (from most to least demanding in terms of processing power). This will allow you to reduce the system’s load if you use a lot of effects at the same time. The audio quality is slightly reduced with the mid and eco modes, but not dramatically so the software remains useful. To help you make yourself an idea, a preset requiring 25% CPU load in hi mode will require 19% in mid mode and only 11% in eco mode. This can be a big advantage if your system is not very powerful or if you work with several instances of the software simultaneously.
Finally, you can also select here an IK Multimedia StompIO ($900) or StealthPedal ($200) controller — if you are among their lucky owners.
Simply click one of the elements on the signal path to display it in the main section of the GUI…
Stompboxes, Amps, Speakers, and Effects
This is the heart of the software, where you’ll find the four main elements in the sound of a guitar player: stompboxes, amps, speaker cabinets, and rack effects. You’ll also notice that there is a rather accurate tuner which can either mute the signal or let it pass, and whose reference frequency can be set from 425 to 455 Hz.
When it comes to amps, you get 31 models (the full list is available here) sorted in four categories (Clean, Crunch, Lead, and Bass), and they offer an interesting feature: the preamp stages, EQs and power amps are fully independent (for some models). This means you have the possibility to combine the preamp stage of a Fender Bassman with the EQ of a Marshall Plexi and the power amp of a Vox AC 30! This extends the sound possibilities enormously and sound adventurers who like to turn knobs for hours will be crying with joy. For purists and people who don’t like to experiment, a Match button allows you to automatically select the EQ and the power amp that correspond to a specific preamp. That way, when you select a Marshall preamp, you can be sure you use the matching EQ and power amp. The model list provides indispensable amps from Marshall, Fender, Vox, Orange, Mesa Boogie, but also custom amps from IK Multimedia. In short, it’s enough to satisfy all guitar players. Each model features its own GUI and settings so that you immediately know what it is all about!
Amplitube 3 also provides 15 mics, including dynamic, condenser and ribbon mics (the full list is available here). You can place two mics in front of the virtual speaker, mix them freely, move them closer or farther from the speaker, and move the axis from the speaker center. You can also select one of five live rooms (from a closet to a hall) and the “width” control allows you to adjust the space between both room mics (two U47 or so it seems).
Last but not least, you get 17 rack effects that, unlike the stompboxes, are placed after the amplifier stage on the signal path. They include delays, reverbs, EQs, compressors, modulation effects, pitch effects (with a harmonizer among them), a swell (auto-volume), and a step slicer.
In the module window, you’ll find an input level setting, a noise gate with three controls (threshold, release and depth), a second compact display for the tuner, and an output level knob. Depending on the selected modules, you can also set their volume (stompboxes and amps), pan, and phase (speakers).
By now, you have probably already guessed the huge sound possibilities Amplitube 3 offers.
Let us now focus on one of the main new features of this third version: the 4-track recorder!
Integrated 4-Track Recorder
The metronome provides five different tones, adjustable tempo (from 60 to 240 BPM) and many time signatures. The essential playback, rec and loop buttons are also included.
You can insert a fully independent Amplitube instance in each track. In other words, you can record four guitar tracks with four different sounds and edit the settings later. This will certainly increase the CPU load and that’s why IK Multimedia added a freeze function — like in “real sequencers” — that allows you to freeze the settings and the sound of the track so that the load on your system is reduced. Finally, you can export your masterworks as wav, aiff and sd2 files.
In practice, this small sequencer proved really convenient and very comprehensive. It provides everything you need to make quick demos without launching your DAW: a very good point for Amplitube 3.
OK, now it’s time to plug in the guitars!
What About the Sound?
We tested the software with two guitars: a Fender Telecaster American Special and a Gibson Les Paul Studio.
We then tested the fat distortion sound with the Les Paul: British Lead is promising but metal sounds can become a bit harsh if you don’t find the right setting. We noticed that the mics and their position in front of the speaker really change the sound and allow tonal variations without the need of an EQ. This feature is essential, and adding a bit room ambiance allows you to increase the volume and slightly fatten the sound.
The modulation effects sound well. The chorus and phaser are especially convincing and practical. In some cases, the fuzz and distortion pedals can add a lot of noise (especially the Big Pig!). In fact, compared with competitor products, the software produces quite some background noise with high gain settings, so you’ll have to use the noise gate…
We changed the sound quality (hi, mid and eco modes) while playing and even though the sound quality of the reverb decreases a lot in eco mode, the instrument timbre remains satisfactory, so it allows you to easily save CPU power!
Enough chatter, listen to the samples:
- Telecaster Manche Phazer 1000:20
- Telecaster Manche Chorus 100:20
- Telecaster Chevalet British Blue Tube 30TB00:11
- Telecaster Chevalet Vintage Combo00:11
- Les Paul Chevalet British Lead 100:15
- Les Paul Chevalet Big Pig00:15
- Telecaster Chevalet British Copper00:11
- Les Paul Chevalet Fuzz Age00:15
- Telecaster Manche American Vintage D00:20
- Telecaster Manche American Vintage B00:20
- Telecaster Manche American Vintage T00:20
- Telecaster Chevalet British Lead00:11
- Les Paul Chevalet Metal Lead V00:15
- Les Paul Chevalet ProRat00:15
- Telecaster Manche Tube Clean 100:20
- Les Paul Chevalet Metal Lead00:15
- Les Paul Chevalet American Lead MKIII00:15
- Telecaster Manche Uni-V00:20
- Les Paul Chevalet OverScream00:15
- Telecaster Chevalet British Orange00:11
- Les Paul Chevalet British Tube Lead 200:15
- Telecaster Manche American Clean MKIII00:20
- Telecaster Manche Small Phazer00:20
Nevertheless, we do have to criticize the background noise that is always present as soon as you increase the gain, and also the higher price compared to competitor products (can we expect a price reduction anytime soon Mr. IK?). However, there’s no doubt that Amplitube remains one of the top products out there and it will delight guitar players looking for a comprehensive and powerful software.